Showing posts with label Robert C. Dennis. Show all posts
Showing posts with label Robert C. Dennis. Show all posts

Thursday, July 7, 2016

The Hitchcock Project-Robert C. Dennis Part Twenty-Six: "Invitation to an Accident" [4.36], Robert C. Dennis Overview and Robert C. Dennis Episode Guide

by Jack Seabrook

The last two scripts that Robert C. Dennis wrote for Alfred Hitchcock Presents were "A True Account," where the teleplay is credited to Dennis and Fredric Brown, and "Invitation to an Accident," which aired on CBS on Sunday, June 21, 1959, as the final new episode of the fourth season of the series.

This episode was based on a story of the same title by Wade Miller that ran in the July 1955 issue of Ellery Queen's Mystery Magazine. The tale begins as Albert Magnum, a bachelor in his forties, visits his old friend Virgilia Pond, who lives in an exclusive neighborhood in San Diego. He meets her second husband, Joseph Pond, and looks down on the man's recently-acquired fortune in comparison with the inherited fortune of her first husband, Cam Bedsole. Albert and the Ponds share drinks, small talk, and dinner, and after the meal Virgilia leads Albert outside to the rear garden, where she confesses that she is having an affair with her ex-husband. As she heads back to the house, scaffolding from an upper floor suddenly is dislodged and crashes to the ground, nearly killing her.

Albert soon comes to believe that Pond staged the accident in order to murder his unfaithful wife. He visits Virgilia again and she tells him that Joseph has a "touch of ptomaine." Albert sneaks into her garden shed and finds a box arsenic missing that had been there the week before. He concludes that Pond took poison to immunize himself before feeding a fatal dose to his wife. Albert decides to invite Joseph on a fishing trip to Mexico, planning to confront the man about Virgilia. They travel together to an empty beach and make camp, spend the day fishing, and then sit around the campfire after dark.

Albert brings up the subject of murder in a roundabout way, trying to suggest to Pond that he knows what the man is planning to do to his wife. Pond finally catches on but admits that he thinks that Virgilia's lover is Albert! The scaffolding had been meant to kill him but, when it failed, the arsenic in the coffee he just drank should do the trick.

Miller's story is very well written. Magnum underestimates Pond at every turn, thinking himself smarter and more refined that Virgilia's rough-hewn husband. Magnum believes that he was invited to be a witness to the accident that nearly killed Virgilia; in reality, though, the real accident occurs when Pond mistakes him for his wife's lover and murders him!

Gary Merrill as Joseph Pond
Wade Miller was a pseudonym for Robert Wade (1920-2012) and Bill Miller (1920-1961), a duo who began writing together as teenagers, joined the U.S. Air Force in WWII, and wrote their first novel in 1946. They wrote many novels together, including a series featuring private eye Max Thursday. Their novel, Badge of Evil (1956), was adapted as the film Touch of Evil (1958), directed by Orson Welles. They wrote over 30 novels together but only about a dozen short stories, one of which is "Invitation to an Accident." After Miller died in 1960, Wade kept writing until 1979. A handful of television episodes and movies were adapted from their work but this was their only contribution to the Hitchcock TV series.

Robert C. Dennis's script for this episode displays traits recognizable from his other work on this series: adding opening scenes to set up the story, a heightened focus on key objects, and a tendency to hammer the point home at the conclusion.

Alan Hewitt as Albert Magnum
The show opens at a party, where Albert tells Mrs. Bedsole (Cam's aunt) that Virgilia is in the garden with her ex-husband. Pond, her current husband, has been drinking all night and might get violent. Albert goes out to the garden and interrupts the lovers; when Virgilia goes back inside and speaks to Pond, he angrily grabs her wrist, demanding to know whom she has been with in the garden.

This is followed by a short scene of Virgilia driving Pond home, where he suggests inviting a friend over for dinner and she responds by saying that she will invite a "very old admirer." It is clear that Pond seeks to identify her lover and thinks that the man she invites will be the guilty party.

The following scenes follow the story closely. When Virgilia and Albert go into Joseph's garden shed workshop, Albert picks up a can labeled "Arsenic" and looks at it; the can is shown in closeup and Dennis thus foreshadows the show's climax. Later, when Albert goes back to the Pond house and checks the workshop, it is made very clear that the can of arsenic has disappeared--Albert even traces his finger over the missing spot to underline the point for the viewer. Albert visits Mrs. Bedsole and outlines his suspicions about Joseph's plans; she tells him that he must protect Virgilia. He visits the Ponds, but this time, unlike in Miller's short story, it is Pond who invites Albert on a fishing trip, not the other way around.

Highlighting the arsenic


Later, it's missing

The shot dissolves to the two men on the beach at night, sitting by the campfire. The conversation goes as it does in the story and Albert begins to sweat profusely. At the end, however, there is an additional bit of dialogue. The story ends as Pond tells Albert that he poisoned him: "Albert Magnum was no longer listening. He had rolled face downward on the sand with the first clawing agony in his belly." The TV show goes further. After Pond tells Albert what he has done, Albert tells him: "But it isn't me--it's Cam!" Pond replies: "Cam!" Albert begins to sob in pain, and Pond again exclaims, "Cam!" as the screen fades to black. In the show, unlike in the story, Pond learns right away that he has made a fatal mistake.

Albert and Joseph on the beach
Perhaps because I watched this in 2016 and not 1959, I saw a very subtle hint in this episode that Albert is a closeted gay man and that Pond, the macho man who builds iron lawn furniture "with his own hands," murders him while they are both engaged in a vacation for two alone on a remote beach. The story points out that Albert "preferred a woman to be on his arm rather than in his arms" and in the show, Virgilia tells Albert that he should have married her and then laughs at her own suggestion.

"Invitation to an Accident" is an entertaining episode with effective direction by Don Taylor (1920-1988), the actor-turned-director who starred in one episode of Alfred Hitchcock Presents and directed seven. The last episode he directed that I covered in this series was "Fatal Figures."

Gary Merrill (1915-1990) receives top billing as Joseph Pond. After serving in the U.S. Air Force in WWII, Merrill portrayed Batman on the Superman radio show and appeared in movies from 1943 to 1977. He was one of the stars of All About Eve (1950) and was married to his co-star, Bette Davis, from 1950 to 1960. He was on TV from 1953 to 1980 and appeared on the Hitchcock show seven times, as well as making appearances on The Twilight Zone and The Outer Limits.

Joanna Moore as Virgilia Pond
The unfaithful wife, Virgilia Pond, is played by Joanna Moore (1934-1977), an actress whose comedic skills are only hinted at in this episode. Born Dorothy Cook, she was the mother of actress Tatum O'Neal. She had a role in Touch of Evil and was onscreen from 1956 to 1984, appearing in six episodes of the Hitchcock series. I last wrote about her in connection with the episode, "Post Mortem."

Alan Hewitt (1915-1986) plays the third member of the trio, Albert Magnum, with a light touch that stands in contrast to the performance of Gary Merrill as the gruff and blunt Pond. Hewitt had an unremarkable screen career from 1956 to 1978 and was seen on the Hitchcock show three times. He also played Detective Bill Brennan on 28 episodes of My Favorite Martian.

"Invitation to an Accident" is available on DVD here or may be viewed for free online here. Thanks to Peter Enfantino for a copy of the story.

Sources:
"Authors and Creators: Wade Miller." Authors and Creators: Wade Miller. Web. 24 June 2016.
"Galactic Central." Galactic Central. Web. 27 June 2016.
Grams, Martin, and Patrik Wikstrom. The Alfred Hitchcock Presents Companion. Churchville, MD: OTR Pub., 2001.
IMDb. IMDb.com. Web. 24 June 2016.
"Invitation to an Accident." Alfred Hitchcock Presents. CBS. 21 June 1959. Television.
Miller, Wade. "Invitation to an Accident." Ellery Queen's Mystery Magazine July 1955: 131-43.
Wikipedia. Wikimedia Foundation. Web. 24 June 2016.

Next week: An episode guide of all of the Alfred Hitchcock Presents and Alfred Hitchcock Hour episodes reviewed to date as part of The Hitchcock Project with links to all posts.

In two weeks: Our series on Bryce Walton begins with "Touché," starring Paul Douglas and Hugh Marlowe!

Gary Merrill and Joanna Moore

OVERVIEW: ROBERT C. DENNIS AND ALFRED HITCHCOCK PRESENTS

In the first four seasons of Alfred Hitchcock Presents, from October 1955 through June 1959, Robert C. Dennis wrote or co-wrote the teleplays for 30 episodes, making him the show's most frequent writer during that period.

Dennis wrote nine teleplays in season one, two of which were based on his own short stories. From the start, he showed an ability to improve on his source, even when he wrote the source as well! He also adapted stories by such authors as Dorothy L. Sayers and Stanley Ellin, and he co-wrote one script with Victor Wolfson. Dennis's teleplays benefited from strong direction by Robert Stevens, Robert Stevenson and James Neilsen, and the shows often had strong casts.

His contributions to season two were slightly less, at six episodes, through four of the six were very strong. Added to the list of directors putting his teleplays on the small screen was Paul Henreid, and authors whose stories were adapted included Don Marquis and Thomas Burke. Some of the episodes used humor successfully, while in others it fell flat. There were good performances by the cast of "Crack of Doom" and by Barbara Cook in "A Little Sleep," and Dennis showed an ability to add scenes and update stories to make them fit with then-current themes.

Dennis's biggest contribution to the series came in season three, when he wrote the scripts for 12 of the 39 episodes shown. His ability to turn narrative into dialogue continued to be impressive, and in "Silent Witness" he took a germ of an idea from a very short story and turned it into a fascinating exploration of a man's guilty conscience. Don Taylor starred in that episode and also directed four of the episodes written by Dennis in this season. Other great directors assigned to film Dennis's scripts in this season included Alfred Hitchcock and Robert Altman. Dennis also showed an affinity for highlighting key objects in his scripts and for making subtle climaxes more apparent for viewers.

His contributions trailed off in season four, when he was only responsible for three scripts, one of which he co-wrote with Fredric Brown. These final three episodes featured strong casts, exhibited a judicious use of humor, and benefited from solid direction.

In the first four seasons of Alfred Hitchcock Presents, Robert C. Dennis wrote more scripts than anyone else. Beginning in season five, he would be replaced by the equally prolific Henry Slesar.


EPISODE GUIDE-ROBERT C. DENNIS ON ALFRED HITCHCOCK PRESENTS


Episode title-“Don't Come Back Alive” [1.4]
Broadcast date-23 Oct. 1955
Teleplay by-Dennis
Based on-"Don't Come Back Alive" by Dennis
First print appearance-Detective Tales, November 1945
Watch episode-here
Available on DVD?-here

Episode title-“Our Cook's a Treasure” [1.8]
Broadcast date-20 Nov. 1955
Teleplay by-Dennis
Based on-"Suspicion" by Dorothy L. Sayers
First print appearance-Mystery League Magazine, October 1933
Watch episode-here
Available on DVD?-here

Episode title-“Guilty Witness” [1.11]
Broadcast date-11 Dec. 1955
Teleplay by-Dennis
Based on-"Innocent Bystander" by Morris Hershman
First print appearance-Shadow Mystery Magazine, Spring 1949
Watch episode-here
Available on DVD?-here

Episode title-“The Older Sister” [1.17]
Broadcast date-22 Jan. 1956
Teleplay by-Dennis
Based on-Good-Bye, Miss Lizzie Borden by Lillian de la Torre
First print appearance-1947
Watch episode-here
Available on DVD?-here

Episode title-“The Derelicts” [1.19]
Broadcast date-5 Feb. 1956
Teleplay by-Dennis
Based on-an unpublished story by Terence Maples
First print appearance-none
Watch episode-here
Available on DVD?-here

"Place of Shadows"
Episode title-“Place of Shadows” [1.22]
Broadcast date-26 Feb. 1956
Teleplay by-Dennis
Based on-"Place of Shadows" by Dennis
First print appearance-Crack Detective Stories, Jan. 1947
Watch episode-here
Available on DVD?-here


Episode title-“Help Wanted” [1.27]
Broadcast date-1 Apr. 1956
Teleplay by-Dennis
Based on-"The Cat's Paw" by Stanley Ellin
First print appearance-Ellery Queen's Mystery Magazine, June 1949
Watch episode-here
Available on DVD?-here

Episode title-“The Orderly World of Mr. Appleby” [1.29]
Broadcast date-15 Apr. 1956
Teleplay by-Dennis
Based on-"The Orderly World of Mr. Appleby" by Stanley Ellin
First print appearance-Ellery Queen's Mystery Magazine, May 1950
Watch episode-here
Available on DVD?-here

"The Orderly World of Mr. Appleby"
Episode title-“The Belfry” [1.33]
Broadcast date-13 May 1956
Teleplay by-Dennis
Based on-"The Belfry" by Allan Vaughan Elston
First print appearance-Adventure, 15 Oct. 1932
Watch episode-here
Available on DVD?-here

Episode title-“Crack of Doom” [2.9]
Broadcast date-30 Dec. 1956
Teleplay by-Dennis
Based on-"The Crack of Doom" by Don Marquis
First print appearance-Collier's 6 Sept. 1930
Watch episode-here
Available on DVD?-here

Episode title-“John Brown's Body” [2.14]
Broadcast date-25 Nov. 1956
Teleplay by-Dennis
Based on-"John Brown's Body" by Thomas Burke
First print appearance-Vanity Fair, May 1931
Watch episode-here
Available on DVD?-here

Episode title-“Nightmare in 4-D” [2.16]
Broadcast date-13 Jan. 1957
Teleplay by-Dennis
Based on-an unpublished story by Stuart Jerome
First print appearance-none
Watch episode-here
Available on DVD?-here

"One for the Road"
Episode title-“One for the Road” [2.23]
Broadcast date-3 Mar. 1957
Teleplay by-Dennis
Based on-"Partner in Crime" by Emily Neff
First print appearance-Wicked Women (1959)
Watch episode-here
Available on DVD?-here

Episode title-“Martha Mason, Movie Star” [2.34]
Broadcast date-19 May 1957
Teleplay by-Dennis
Based on-"Martha Myers, Movie Star" by Raymond Mason
First print appearance-Alfred Hitchcock's Mystery Magazine, Jan. 1957
Watch episode-here
Available on DVD?-here

Episode title-“A Little Sleep” [2.38]
Broadcast date-16 June 1957
Teleplay by-Dennis
Based on-"Lullaby" by Joe Grenzeback
First print appearance-Alfred Hitchcock's Mystery Magazine, Feb. 1957
Watch episode-here
Available on DVD?-here

"A Little Sleep"
Episode title-“Mail Order Prophet” [3.2]
Broadcast date-13 Oct. 1957
Teleplay by-Dennis
Based on-"The Strange Case of the Mail-Order Prophet" by Antony Ferry
First print appearance-Maclean's,15 Apr. 1954
Watch episode-here
Available on DVD?-here

Episode title-“Silent Witness” [3.5]
Broadcast date-3 Nov. 1957
Teleplay by-Dennis
Based on-"Eyewitness" by Jeanne Barry
First print appearance-Collier's, 16 July 1949
Watch episode-here
Available on DVD?-here

Episode title-“The Diplomatic Corpse” [3.10]
Broadcast date-8 Dec. 1957
Teleplay by-Dennis
Based on-an unpublished story by Alec Coppel
First print appearance-none
Watch episode-here
Available on DVD?-here

"The Diplomatic Corpse"
Episode title-“The Deadly” [3.11]
Broadcast date-15 Dec. 1957
Teleplay by-Dennis
Based on-"Suburban Tigress" by Lawrence Treat
First print appearance-Alfred Hitchcock's Mystery Magazine, July 1957
Watch episode-here
Available on DVD?-here

Episode title-“Together” [3.15]
Broadcast date-12 Jan. 1958
Teleplay by-Dennis
Based on-an unpublished story by Alec Coppel
First print appearance-none
Watch episode-here
Available on DVD?-here

Episode title-“The Equalizer” [3.19]
Broadcast date-9 Feb. 1958
Teleplay by-Dennis
Based on-"The Equalizer" by C.B. Gilford
First print appearance-Alfred Hitchcock's Mystery Magazine, October 1957
Watch episode-here
Available on DVD?-here

Episode title-“Guest for Breakfast” [3.21]
Broadcast date-23 Feb. 1958
Teleplay by-Dennis
Based on-"Guest for Breakfast" by C.B. Gilford
First print appearance-Michael Shayne Mystery Magazine, October 1956
Watch episode-here
Available on DVD?-here

"Guest for Breakfast"
Episode title-“The Right Kind of House” [3.23]
Broadcast date-9 Mar. 1958
Teleplay by-Dennis
Based on-"The Right Kind of a House" by Henry Slesar
First print appearance-Michael Shayne Mystery Magazine, February 1957
Watch episode-here
Available on DVD?-here

Episode title-“Fatal Figures” [3.29]
Broadcast date-20 Apr. 1958
Teleplay by-Dennis
Based on-"Fatal Figures" by Rick Edelstein
First print appearance-Mystery Digest, Mar. 1958
Watch episode-here
Available on DVD?-here

Episode title-“Post Mortem” [3.33]
Broadcast date-18 May 1958
Teleplay by-Dennis
Based on-"Post-Mortem" by Cornell Woolrich
First print appearance-Black Mask, Apr. 1940
Watch episode-unavailable
Available on DVD?-here

Episode title-“The Crocodile Case” [3.34]
Broadcast date-25 May 1958
Teleplay by-Dennis
Based on-"The Crocodile Case" by Roy Vickers
First print appearance-Ellery Queen's Mystery Magazine, March 1949
Watch episode-here
Available on DVD?-here

Episode title-“Dip in the Pool” [3.35]
Broadcast date-1 June 1958
Teleplay by-Dennis
Based on-"Dip in the Pool" by Roald Dahl
First print appearance-The New Yorker, 19 Jan 1952
Watch episode-unavailable
Available on DVD?-here

"Dip in the Pool"

Episode title-“Mrs. Herman and Mrs. Fenimore" [4.12]
Broadcast date-28 Dec. 1958
Teleplay by-Dennis
Based on-"Mrs. Herman and Mrs. Kenmore" by Donald Honig
First print appearance-Alfred Hitchcock's Mystery Magazine, May1958
Watch episode-here
Available on DVD?-here

Episode title-“A True Account" [4.34]
Broadcast date-7 June 1959
Teleplay by-Dennis and Fredric Brown
Based on-"Curtains for Me" by Anthony Gilbert
First print appearance-London Evening Standard, 3 Oct. 1951
Watch episode-here
Available on DVD?-here

Episode title-“Invitation to an Accident" [4.36]
Broadcast date-21 June 1959
Teleplay by-Dennis
Based on-"Invitation to an Accident" by Wade Miller
First print appearance-Ellery Queen's Mystery Magazine, July 1955
Watch episode-here
Available on DVD?-here

Thursday, June 23, 2016

The Hitchcock Project-Robert C. Dennis Part Twenty-Five: "Mrs. Herman and Mrs. Fenimore" [4.12]

by Jack Seabrook

Doro Merande as Mrs. Herman
The final script that Robert C. Dennis wrote during the third season of Alfred Hitchcock Presents was "Dip in the Pool," an episode directed by Hitchcock that I discussed here in my series on Roald Dahl. Dennis would only write three more scripts for the series; the first of these was "Mrs. Herman and Mrs. Fenimore," which was broadcast on CBS on Sunday, December 28, 1958. Based on a short story by Donald Honig called "Mrs. Herman and Mrs. Kenmore," the title was probably changed for TV to avoid mention of a competing sponsor (Kenmore Appliances), since the Hitchcock series was sponsored at the time by Bristol-Myers.

"Mrs. Herman and Mrs. Kenmore"
was first published here
Honig's story was first published in the May 1958 issue of Alfred Hitchcock's Mystery Magazine and concerns Mrs. Herman, a woman who is particular about whom she selects as a new boarder in her home. She welcomes Mrs. Kenmore, "a widow in her late forties, tall and attractive." Mrs. Herman tells her Uncle Bill, who also lives in her house, that Mrs. Kenmore will move in the next day. After some time spent in the company of the new boarder, Uncle Bill, "for the first time in years, was actually civil to people."

One evening, Mrs. Herman tells Mrs. Kenmore that Bill is quite wealthy and that she is his only relative. Soon, the idea of murdering the old man for his money comes up and Mrs. Kenmore remarks, "You almost make it sound like an act of charity." Mrs. Herman promises Mrs. Kenmore $1000 for helping her to carry out her plan. In the months that follow, Uncle Bill and Mrs. Kenmore spend quite a bit of time together. Eventually, Mrs. Herman reveals that her plan to murder her uncle involves leaving the gas turned on at the kitchen stove.

The plan is carried out successfully. A day later, Mrs. Kenmore prepares to leave and reveals to Mrs. Herman that she and Uncle Bill had been married a month before. She promises to send Mrs. Herman $1000 after the will is read.

"Mrs. Herman and Mrs. Kenmore" is a slight tale with an ending that is not a big surprise. Yet in adapting it for the small screen, Robert C. Dennis wrote a script that allowed director Arthur Hiller and the cast to transcend the source material.

Mrs. Herman with her RCA phonograph
While he did not make major changes to the plot, Dennis changed some important details. First and foremost, the TV show takes place around the turn of the century, something that is underlined in the very first scene, as we see Mrs. Herman, an aging spinster, puttering around her parlor in an old-fashioned dress and playing a disc on her RCA phonograph. We get a hint that the story takes place in the Midwest, since Uncle Bill is seen reading the St. Louis Press-Herald, a newspaper that never existed (though there was a St. Louis Park Herald briefly in 1915). Mrs. Herman sneaks a sip of sherry from a bottle hidden under the phonograph and an exchange between her and her uncle sets up the situation; Dennis does a good job of taking the story's narrative sections and transforming them into dialogue.

Mary Astor as Mrs. Fenimore
Mrs. Fenimore arrives and is dressed much more impressively than Mrs. Herman, who wears a plain frock. Mrs. Fenimore sports a veil over her face and speaks in a cultured voice; in the TV version, she is an actress whose company has folded. Doro Merande, as Mrs. Herman, is wonderful, offering Mary Astor, as Mrs. Fenimore, "a little refreshment" in the form of a glass of sherry and cautioning: "unless you have scruples?" to which Mrs. Fenimore responds, "Scruples, my dear?" The two seem to complement each other. Russell Collins is perfect as Uncle Bill, and he and Mrs. Herman clearly cannot stand each other. He slurps his tea loudly from the cup while seated at the dinner table, and when he gets up from a chair he walks like someone suffering from a lifetime of lower back problems.

A Robert Stevens-like shot
Hiller's direction of this episode is outstanding and he even includes a shot reminiscent of one that Robert Stevens might use, where we see the hands of Mrs. Fenimore and Uncle Bill meet over the table as she pours his tea, with Mrs. Herman framed behind them, watching their interaction. Merande's performance is unforgettable. She punctuates most of her lines with a little sigh of affirmation at the end and is quite funny without attempting broad humor. Hiller's shot choices are always good and serve to reinforce the plot points, as well as to show us the emotions of the characters even when they are not speaking.

Another slight change from the source story concerns the murder of Uncle Bill. Instead of having it take place in the kitchen, Mrs. Herman insists that Mrs. Fenimore find a way to get herself invited into his bedroom, where she can read to him until he falls asleep and then she can exit, leaving the door unlocked for Mrs. Herman to come in and make sure the flame goes out on his little gas burner. As Mrs. Herman puts it, "What has he to look forward to but the lingering agony of a helpless old age?" This is part of her justification for her murder plot, and the promised payment on the TV show has been increased to $2500, a much larger sum than the $1000 in the story, especially considering that the events have been moved about a half century earlier in time.

Up in Uncle Bill's room
There is a lovely, funny scene where Mrs. Fenimore reads poetry to Uncle Bill in the parlor as Mrs. Herman sits at her desk in the same room, looking at stereoscopic photographs and interrupting just often enough to ensure that she is annoying. Another entertaining scene concerns Mrs. Fenimore trying to teach Uncle Bill to dance in the modern fashion; she drags him around the floor as he writhes in obvious pain. On the night of the murder, Mrs. Herman sits on the sofa knitting, an American Madame Defarge who seems harmless while actually planning to carry out a murder. Mrs. Fenimore goes up to Uncle Bill's room to read to him and we see the inside of his private quarters for the first time and only briefly. The scene is lit like something from a film noir, as Bill lies on his bed in a pose that makes it look as if he is dead already.

Noir lighting with a suggestion of prison cell bars
The next shot also features noir lighting, with Mrs. Herman in the front of the frame and Mrs. Fenimore behind and above her on the stairs, shadows crisscrossing her like the bars of a jail cell. The show features two middle-aged women conspiring to murder an old man, yet their discourse is at all times civil. In Honig's story, we read of Mrs. Herman turning off the gas with "a sudden wild exhilaration" and a "vengeance," but in the show she merely walks slowly up the stairs and we do not see her commit the crime. At the end, the look of shock on Mrs. Herman's face when she learns of the secret marriage is priceless, and the twist ending works better on the small screen than it does on the printed page, providing the perfect finish to an outstanding episode.

Brushing up on modern dance skills
Donald Honig (1931- ), who wrote the original story, wrote about 200 stories and articles for various magazines, though most of his crime stories seem to have been published in Alfred Hitchcock's Mystery Magazine. He also wrote novels, and in the mid-1970s he changed the focus of his writing and began to write extensively about the game of baseball. IMDb lists five TV episodes based on his stories, two of which were filmed for the original run of Alfred Hitchcock Presents. He has a website here with more information.

The director of "Mrs. Herman and Mrs. Fenimore" was Arthur Hiller (1923- ), who directed TV shows from 1955 to 1974 and then directed movies exclusively until 2006. He was behind the camera for 17 episodes of Alfred Hitchcock Presents; the last one I wrote about was Cornell Woolrich's "Post Mortem."

Mary Astor, veiled
Top billing in the cast belongs to Mary Astor (1906-1987), the great Hollywood actress whose screen career began in silent films in 1921. Born Lucile Vasconcellos Langhanke, Astor's most memorable role on film came in John Huston's 1941 adaptation of The Maltese Falcon, with Humphrey Bogart. She began appearing on TV in 1954 and her screen career ended in 1964. This was one of her two appearances on Alfred Hitchcock Presents.

As I read "Mrs. Herman and Mrs. Kenmore," I found myself thinking that the role of Uncle Bill would be perfect for character actor Russell Collins (1897-1965) and I was delighted to watch the episode and see that he was cast. Collins was onscreen from 1935 to 1965 and appeared in ten episodes of the Hitchcock series; the last one I wrote about was "John Brown's Body."

Rusell Collins as Uncle Bill
Doro Merande (1892-1975) makes such a strong impression as Mrs. Herman that I was surprised to discover that this was her only appearance on the Hitchcock series. Even more surprising is the fact that she was five years older than the actor who plays her uncle! Born Dora Matthews, she was onscreen from 1928 to 1974, a long career where she played many character roles. She was also seen on Thriller and The Twilight Zone and she made many appearances on stage.

Finally, in a brief appearance at the end of the show as the detective, Wesley Lau (1921-1984) does not make much of an impression. He was onscreen from 1952 to 1981, appearing thrice on Alfred Hitchcock Presents and twice on The Twilight Zone. He also appeared in 81 episodes of Perry Mason as Lt. Anderson.

Wesley Lau as the detective
"Mrs. Herman and Mrs. Fenimore" is available on DVD here or may be viewed for free online here. Read the GenreSnaps take on this episode here. Thanks to Peter Enfantino for providing a copy of the story!

Sources:
"Donald Honig." Contemporary Authors Online. Detroit: Gale, 2010. Contemporary Authors Online. Web. 11 June 2016.
"The FictionMags Index." The FictionMags Index. Web. 11 June 2016.
"Galactic Central." Galactic Central. Web. 11 June 2016.
Grams, Martin, and Patrik Wikstrom. The Alfred Hitchcock Presents Companion. Churchville, MD: OTR Pub., 2001. Print.
Honig, Donald. "Mrs. Herman and Mrs. Kenmore." Alfred Hitchcock's Mystery Magazine May 1958: 104-09.
IMDb. IMDb.com. Web. 11 June 2016.
"Mrs. Herman and Mrs. Fenimore." Alfred Hitchcock Presents. CBS. 28 Dec. 1958. Television.
Wikipedia. Wikimedia Foundation. Web. 11 June 2016.

In two weeks: our series on Robert C. Dennis ends with "Invitation to an Accident," starring Gary Merrill and Joanna Moore!