In "The Gentleman from America," writer Francis Cockrell and director Robert Stevens combine to update a classic ghost story from the World War One era to the World War Two era. Michael Arlen's short story of the same name was first published in the Christmas 1924 issue of the British magazine, The Tatler, and begins as Englishmen Sir Cyril Quillier and Mr. Kerr-Anderson bet American Howard Cornelius Puce 500 pounds that he cannot spend the night in a haunted room. Left alone in the room with but a single candle, Puce reclines in bed, certain that ghosts do not exist and comforted by the automatic pistol at his side.
Puce picks up a book called Tales of Terror for Tiny Tots and reads "The Phantom Footsteps," a story about twin sisters spending the night alone in a strange house. Julia ventures downstairs to investigate a noise and Geraldine is terrified when her sister returns. The next morning, their father finds Julia dead, "her head half-severed from her trunk," and Geraldine driven mad by fright. Puce slams the book closed and accidentally blows out his candle. He begins to doze off but wakes to sense someone at the foot of the bed, cloaked in darkness. He threatens the figure, sure that it is Quillier masquerading as a ghost, and fires shot after shot into the specter, to no avail. He empties the gun and screams.
Biff McGuire as Latimer |
The truth revealed, Puce attacks Quillier and has to be pulled off him by "the men in dark uniforms"; it is explained that Puce is now a homicidal maniac who had escaped that morning. " 'Been like that eleven years. Got a shock, I fancy. Keeps on talking about a sister of his called Julia who was murdered, and how he'll be revenged for it,' " says the head-warder. " 'God have mercy on us!' " sobs Quillier.
Arlen's story has been anthologized many times, and in the 1944 collection, Great Tales of Terror and the Supernatural, the editors comment that it is a "clever and exciting story; but when the titular hero opens his lips, he speaks in the weird tongue that is employed only by 'American' characters on the British stage." Some examples:
- "You get a guy so low with your talk that I feel I could put on a tall-hat and crawl under a snake."--Puce
- "Sir, you are one big bum phantom!"--Puce
- "Jupiter and Jane, but he'd learn that ghost to stop ghosting!"--narrator
Ralph Clanton as Sir Stephen Hurstwood |
John Irving as Derek |
"The Gentleman from America" has been adapted for the large and small screens more than once. A 1948 film called The Fatal Night was an official adaptation, and on April 25, 1950, the story was adapted for the television series Suspense, in an episode directed by Robert Stevens. On December 18, 1958, a Canadian TV show called The Unforeseen produced another adaptation of the story, and it was also the uncredited source for an episode of Thriller called "The Purple Room," which aired on October 25, 1960.
A typical Robert Stevens shot |
Latimer refuses Stephen's invitation to play poker but is intrigued when Stephen mentions the ghost at his family estate called Hurstwood; skeptical but intrigued, Latimer asks to stay the night in the haunted room and Stephen insists that he never bets less than 1000 pounds, a 100 percent rate of inflation since the short story was published thirty-two years before. The scene changes and the location is provided by another title card that reads "Hurstwood Manor" and is superimposed over an exterior shot of a large, gloomy estate. Inside, the terms of the bet are agreed on and Stephen gives Latimer a gun and shows him how to use it. Unlike the American in the story, who at least gave the impression of familiarity with guns, Latimer is resistant to the idea and not a great marksman, as shown by his attempt to fire a test shot into the fireplace, a shot that lodges itself in the wooden molding around the fireplace's opening.
These added scenes dramatize events leading up to the frightful night and help to introduce the story's three main characters. Cockrell updates the time of the events and removes the anti-American sentiment that was present in the source; here, Stephen and Derek are shown to be duplicitous and Latimer seems to be an honest man. Director Stevens creates interest with good camera movement and creative shots, including one where he frames Latimer between two candles in a candelabra held by Stephen. When the trio enter the haunted room, the scene features wonderful shadows, though they do not quite match up with the room's only light source. Instead of the children's ghost story book of Arlen's tale, Latimer picks up a volume entitled Ghosts of Notable British Homes; a nice detail here is that the table on which the book rests is covered in dust, and when the book is picked up it leaves a dust-free rectangle, showing that it has not been looked at in some time.
Left alone in the room, Latimer reads the Tale of the Hurstwood Ghost and Cockrell and Stevens dramatize the story as a flashback: the camera focuses on Latimer reading in bed, then pans right to focus on his bedside candle, then pans back left to show the two sisters in the same bed as Latimer narrates the story in voice over. There are dissolves back and forth between shots of Latimer reading and the girls acting out the story, and the effect generates suspense. The dated humor in Arlen's story has been removed and what remains is more effective.
The scene where the ghost appears to Latimer may have worked better at the time of its original broadcast, when the ghost was only glimpsed several times on black and white television sets, rather than today, when a viewer can scrutinize it in high definition on a large screen. The ghost is luminous and there is no explanation for this, unless it is meant to be an expression of what Latimer perceives rather than what he actually sees. Shots of Latimer in bed alternate with shots of the glowing ghost slowly approaching, and Latimer progresses quickly from confident to angry to frantic--his collapse occurs rapidly.
The final scene of the show begins with another title card, superimposed over the same exterior shot of the estate, reading "Hurstwood Manor/October, 1945." Instead of meeting on a country road, the three men meet back at the scene of the haunting. In the story, Quillier lost an arm in the war; here, Stephen walks with a limp. Latimer shows up unexpectedly at the door and Robert Stevens again uses extreme close ups to show Latimer listening to the other men speaking. When Julia and Geraldine are mentioned, he snaps and attacks Stephen. The final images of the show are well done, as orderlies from the asylum rush in, subdue Latimer, and take him away in a strait jacket.
John Alderson as the asylum attendant |
Starring as Latimer is Biff McGuire (1926- ), who was born William McGuire Jr. and acted mostly on TV for over 60 years, from 1950 to 2013. He was in four episodes of Alfred Hitchcock Presents.
Ralph Clanton (1914-2002) plays Sir Stephen Hurstwood; his screen career lasted from 1949 to 1983 and included seven episodes of Alfred Hitchcock Presents (including "Dip in the Pool") and three episodes of Thriller.
Derek is played by John Irving (not the writer of The World According to Garp), who had a ten-year career on TV from 1955 to 1965 but was only in this episode of Alfred Hitchcock Presents.
Finally, John Alderson (1916-2006) plays the attendant from the asylum; at end the of the show, he tells Stephen and Derek that Latimer escaped. Alderson had a 40-year career on screen, from 1951 to 1990, and appeared in three episodes of the Hitchcock show, including "The Crocodile Case."
"The Gentleman from America" is available on DVD here or may be viewed online here. The 1950 version produced for Suspense is lost. Read Arlen's short story here.
Sources:
Arlen, Michael. “The Gentleman from America.” Great Tales of Terror and the Supernatural. New York: Random House, 1944. 212–230. Print.
The FictionMags Index. 26 Nov. 2017. Web.
“The Gentleman from American.” Alfred Hitchcock Presents, season 1, episode 31, CBS, 29 Apr. 1956. DVD.
Grams, Martin, and Patrik Wikstrom. The Alfred Hitchcock Presents Companion. Churchville: OTR Pub., 2001.
IMDb. 22 Nov. 2017. Web.
Wikipedia. 22 Nov. 2017. Web.
In two weeks: "Conversation Over a Corpse," starring Dorothy Stickney and Carmen Mathews!
In a way, the ending is like the ending of "The Cadaver" on THE ALFRED HITCHCOCK HOUR.
ReplyDeleteOf course, the practical jokers get off a lot more lightly here.
That they do, and that's the point. They have to live with the knowledge that their gag ruined a man's life!
ReplyDeleteI'm very fond of this one, Jack. It's got a larger than life quality to it, which is there even in the classy title. The setting is just right, as is the time frame, for the television adaptation. Fine performances all-round. I like Biff McGuire naturalistic playing more now, with the return of the Hitchcock half-hours to MeTV, than in the past.
ReplyDeleteMcGuire is in another early one in which he doesn't seem quite "up to it", but not this time. There's that conventional, to my way of thinking, ending. It's not that I saw it coming or anything like that. I expected more, that's all. First rate television from what's now about sixty years ago.
Thanks, John. This show certainly holds up better than the short story on which it is based. Any episode directed by Robert Stevens is worth a look. I'd love to do an in-depth study of his TV work but it would probably be the end of me.
ReplyDeleteWhy does the Conversation over a corpse link lead here?
ReplyDeleteThanks for the tip. I fixed the link.
ReplyDelete