The EC Reign Month by Month 1950-1956
29: December, 1952
29: December, 1952
Kurtzman |
"Abe Lincoln!" ★★ 1/2
Story by Harvey Kurtzman
Art by Jack Davis
"First Shot!" ★★★
Story by Harvey Kurtzman
Art by John Severin and Will Elder
"Choose Sides!" ★★★
Story by Harvey Kurtzman
Art by Wally Wood
"Bull Run!" ★★ 1/2
Story by Harvey Kurtzman
Art by John Severin
The life and accomplishments of "Abe Lincoln!" are pondered over by a man sitting in front of his fireplace. We see Abe ascend from a boy living in a log cabin in Indiana to the 16th President of the United States just before the Civil War breaks out. As the man finishes his recollectin', a cannon fires in the distance and he heads for the door to see what's happening. Horsemen with sabres gallop past his cabin and he realizes it's the beginning of a civil war. As the "camera" moves forward, we see the man is black and hear him mutter prayers for Abe Lincoln, the "good man."
"Abe Lincoln!" |
"First Shot!" |
The war between the States is on and it's time to "Choose Sides!" An old man heading into St. Louis for trade is caught up in a battle for Missouri between the North and the South. At first, the man refuses to take part, wanting only to get on with his business but, before too long, he's involved in a bloody incident and winds up a victim of mob violence.
During the battle of "Bull Run!," three young Union soldiers vow to stick together no matter what but the horrors of war intrude upon their partnership.
Though an inside-front cover announcement from Harvey claims that the Civil War is just too big to be contained in one issue and has, therefore, been granted six, it seems as though the plan was curtailed. Only three "Special Civil War" issues were released (FC #9 and Two-Fisted #31 and 35). Of course, since the boom was lowered on EC by the Comics Code at the time of TF #35, there might have been an additional three issues still to come. In the essential Completely Mad, Kurtzman explains that he "became obsessed with the idea of communicating real events" and that it struck him "that war is not a very nice business, and the comic book companies dealing in the subject matter of war tended to make war glamorous. That offended me--so I turned my stories to antiwar." Fair point, but it could also be said that Harvey's scripts could, at times, be a little too educational to the detriment of entertainment.
"Choose Sides!" |
"Bull Run!" |
"Choose Sides!" |
Jack: I would definitely skip this issue. I recently read Bruce Catton's one-volume history of the Civil War titled This Hallowed Ground, and there was more entertainment on one picture-free page of that book than there is in these four stories put together. The art is passable but no one seems very enthusiastic about the material. I liked "Bull Run!" best but the whole issue was a chore to read.
Jose: This issue wasn’t as much a slog for me as it was for Jack, but the points regarding the dragging action of this special Civil War issue are valid. “Abe Lincoln!” acts more like a prologue rather than a story proper, similar to how “Iwo Jima” set the stage for FC 7. “Choose Sides!” is an incisive glimpse into mob mentality that would have been right at home in an issue of Shock. This tale possesses a particular frisson in seeing how unchanged modern minds are from that of our ancestors in the 1800s. “First Shot!” and “Bull Run!” are the real contenders here, the stories where we get a sense of that ol’ fire-in-the-belly spark that Kurtzman brought to some of his best work for the war titles. The two entries act as interesting, alternate versions of the same core concept: the shattering of the soldiers’ illusions that this was a neat and tidy dispute. The former is humorous for the majority of its length as the aphorism-spouting, senior trooper constantly henpecks his younger, hangdog comrade only to shed tears of disbelief over his friend’s senseless, accidental death. The latter story is a sadder affair in that we watch as the oath of three friends to stick together is felled one bullet at a time until only the youngest of the bunch is left to trudge back home through the rain and contemplate his loneliness and all the horrors to come as he lies shivering in a stranger’s doorway. Yep, that’s the ol’ Kurtzman touch alright.
Feldstein |
"Mass Meeting!" ★★
Story by Bill Gaines and Al Feldstein
Art by Joe Orlando
"Skeleton Key!" ★★ 1/2
Story by Bill Gaines and Al Feldstein
Art by Al Williamson
"What He Saw!" ★★
Story by Bill Gaines and Al Feldstein
Art by Jack Kamen
"The Green Thing!" ★★
Story by Bill Gaines and Al Feldstein
Art by Joe Orlando
The Uranium Mining Co. on Mars is running out of ore to mine, refine, and ship to Earth to provide atomic power, so Chairman Anthony Brisbane comes up with a brilliant idea: teleport ore from Venus to Mars! His plan is a huge success but eventually the mass of all the waste ore causes Mars to slip out of orbit. Venus is so much lighter that it, too, slips out of orbit. Soon enough, they crash into each other and Earth. Later on, an alien teacher explains to the class that this is why there are only six planets.
Well, that explains it! ("Mass Meeting!") |
One of Al's shakier panels ("Skeleton Key!") |
Kind of like a Twilight Zone episode with fair to middling Williamson art, "Skeleton Key!" is enjoyable enough, even with the cliched ending. The art pales next to the effort in this month's Weird Science, which makes me wonder about an uncredited inker.
Nice work by Kamen ("What He Saw!") |
Um, what exactly did Martin see and why do the aliens want to prevent him from telling anyone? Other than a series of foxy Kamen girls, I have no idea. The "Boy Who Cried Wolf" aspect makes this story seem like it's going in a predictable direction, but the final twist is a bit of a mystery to me. Oh well, when Jack Kamen starts drawing women and Al Feldstein writes captions like this, I don't really care: "She stood there . . . the hot wind tossing her golden tresses . . . the reddish sunlight accenting her womanhood!" Now that's comic book writing!
Taking one for the team! ("The Green Thing!") |
Harsh! What makes Kenny think that the cloud can be destroyed with fire? Had there been another page to this story, it would have shown Sarah's burned flesh and the green cloud sauntering off to enter the body of the local postman. This was an average issue of Weird Fantasy, but I imagine if I had been a kid in 1952 I would have found it pretty cool.--Jack
Peter: The essential Tales of Terror tells us that the inspiration for "Mass Meeting!" is a story by Malcolm Jameson called "Tricky Tonnage" (first published in Astounding, December 1944); Al and Bill lift the crux of the story to create their enjoyable Venus and Mars cautionary tale. Though it's easy to connect the dots once the human skull is found (let's see, I wonder why we were told that "old son of a sea cook," Bill Wentworth, has a metal plate in his head), I'm always up for a crackin' time loop fable and "Skeleton Key!" is a hoot. Stranded for months on a planetoid, Martin has been eating beans (and, oh, where's the water supply?) but it's that "longing desire" that's driving him berserk. Sorry, can't get past the requisite Kamen smirks and Judy Garland-esque maidens of "What He Saw!" That leaves "The Green Thing!," a wacky alien invasion yarn surely "influenced" by Campbell's "Who Goes There?," with its symbiotic menace and human paranoia. That is one brutal climax, with cute little Sarah taking one for the family. In the director's cut, months later, Kenny discovers he's made a big mistake about red filters and isn't sure he wants to share the info with his grieving parents.
Jose: I must’ve been in the mood
Ingels |
"Nobody There!" ★★
Story by Bill Gaines and Al Feldstein
Art by Graham Ingels
"A Creep in the Deep!" ★★ 1/2
Story by Bill Gaines and Al Feldstein
Art by George Evans
". . . From Hunger!" ★ 1/2
Story by Bill Gaines and Al Feldstein
Art by Jack Kamen
"The Coffin!" ★★ 1/2
Story by Ray Bradbury
Adaptation by by Al Feldstein
Art by Jack Davis
Eric Mondrum, respected surgeon, is cornered one night by creepo Alan Thorky, a club-footed devil who catches Eric in the act of accosting a beautiful mistress and uses his knowledge to blackmail the status-minded Mondrum into performing a new, radical, and unspeakable operation that’ll cure Thorky of his affliction, one that requires the fresh corpse of a young, strapping lad. The deed is done and the healed Thorky goes on his way but ten years later the fiend is back with malignant cancer, demanding another operation. Mondrum, fearful that Thorky will reveal the doctor’s abetting of the decade-old murder, agrees to go along again. Twelve years pass and Thorky’s back again, claiming that the operations are the fountain of youth and with a face to prove it. Mondrum gives in again and hopes that he’ll be dead the next time around. No such luck, but as it turns out Thorky is in even worse luck: Mondrum decides to confess all to the police, but not before he cuts the hose feeding blood to Thorky’s detached head, leaving the severed noggin to wail out its death before getting to claim its new body.
Yuck. ("Nobody There!") |
Newlyweds Philip and Margaret sail out to the middle of the lake bordering their cabin retreat one moonlit evening during their honeymoon. Philip’s fish-spearing is interrupted by Margaret’s bloody screams, and upon swimming back Philip discovers an overturned boat but no wife. The lake is dragged but no bodily remains are found, so Philip leaves the cabin estates in a state only to return calling for the returns on the sale of his cabin. As it turns out, the market is in a slump; a recent of spate of bizarre murders wherein bloodless corpses are found by the lake has sent people scurrying for the hills. Prodded by a disturbing hunch, Philip dons his diving gear, wades into the lake by cover of night, and quickly finds what he’s looking for: Margaret, transformed into a vampire and lurking at lake’s bottom. Ever the humanitarian, Philip ends his wife’s suffering with a wooden spear to the heart.
And you thought your anniversary sucked. ("A Creep in the Deep!") |
“A Creep in the Deep!” is pure shlock and, while there isn’t anything wrong with that, it’s a fairly rote journey on the road to Philip’s brief underwater battle with his undead bride on the final page. Many EC stories would have benefited from nixing their mystery-bound storylines and just sticking with the monstrous action, as is certainly the case here, but then I suppose that wouldn’t have made them EC stories. We’ve talked about how comic book coloring adversely affected some of the artists’ work, and while the fault might lie in the reprint edition we read from, Evans’s compositions look more hemmed-in and muted here than usual.
In a fairy tale kingdom, the poor peasants are starving while their gluttonous king sits in his royal dining room shoveling platefuls of food prepared by his personal chef into his greasy maw. Each night the chef returns to his hovel and provides his famished family with scraps from the king’s table. Other citizens have it no better; one desperate man gets his hands lobbed off for trying to whisk away one of the royal calves from Ye Olde Pasture. When the king lays his paw on a meager cut of meat that the chef was planning on sneaking back home, it finally pushes the harried cook over the edge. That night he comes home showing the wife and kids what he did to that selfish pig: ground him into linked sausages, of course!
Jack Kamen returns from another bare*bones lashing. (". . . From Hunger!") |
Drunkard and bounder Richard Braling has grown curious as to what keeps his brother Charles puttering and hammering away in his workshop at all hours of the day, and Charles is only too willing to explain that he’s constructing a coffin. Figuring that his elderly sibling is building himself a final resting place, the conniving Richard dreams of Charles kicking the bucket soon so that he might drink in peace and luxury. His wish is soon granted when old Charlie’s ticker gives out one day while descending the stairs. Richard makes the arrangements to have the body prepared for a pauper’s funeral and then reasons that Charles likely hid some of his physical riches inside his precious experiment. He’s just made himself cozy in the coffin when a pre-recorded eulogy performed by Charles comes over a set of speakers. But the eulogy… is for Richard! Soon the mechanized behemoth has Richard chemically paralyzed and prepped for embalming. The last thing Richard hears is his brother’s voice as the coffin’s automatic spades dig his own grave.
"The Coffin!" |
This issue sends Peter into a coffin fit. ("The Coffin") |
Jack, however, hasn't been feeling like himself today. ("...From Hunger!") |
Wood |
Weird Science #16
"Down to Earth" ★★ 1/2
Story by Al Feldstein and Bill Gaines
Art by Wally Wood
"Space-Borne!" ★★★★
Story by Al Feldstein and Bill Gaines
Art by Al Williamson
"Given the Heir!" ★
Story by Bill Gaines and Al Feldstein
Art by Jack Kamen
"The People's Choice!" ★★★★
Story by Al Feldstein and Bill Gaines
Art by Joe Orlando
Behind every great man . . . ("Down to Earth") |
Great speech, by the way! ("Down to Earth") |
Celebrating their wedding, Lon and Enid head off into space in their private rocket ship with a plan to honeymoon in distant galaxies. As the ship leaves Earth's gravity, Lon notices that Enid appears pale and faint. They both chalk it up to the girl's first space trip and head out for the stars. After a couple of weeks, Enid grows weary of flying by stars and planets and suggests they land on an unexplored planet. After a little coaxing from his gorgeous wife, Lon agrees and sets the ship down on a nearby planet. When they've landed, Lon realizes that his wife has passed out and, being a physician, diagnoses a bad heart. Once Enid has regained consciousness, her hubby explains the situation and breaks the bad news: since another take-off would surely kill Enid, the couple are stuck on this planet forever! And so, the newlyweds explore the terrain and discover they've lucked out: the world is full of yummy fruits and vegetables and fish-like creatures.
Al, you old tease! ("Space-Borne!") |
Reunited and it feels so GAAAAAAAH! ("Space-Borne!") |
Gives unmedicated birth to monster, still has six-year supply of lipstick. #winning ("Space-Borne!") |
Heil, er, hail from the future! ("Given the Heir!") |
"The People's Choice!" |
"I heard a cold-blooded reptile is running for President." "Yeah, so is an alligator." ("The People's Choice") |
The Glass Teat beckons, and we answer. ("The People's Choice!") |
Jack: This is certainly above average for an EC science fiction comic! Williamson's art is as good as any I've seen thus far in an EC issue, and that's saying something--it reminds me of Alex Raymond's work. I guess reading these one after another means I see the endings coming most of the time, since I figured the creature must be Enid's son. I did not see the end of the Kukla, Fran & Ollie story coming, though, and what started out as a Mad-like satire turned into a horrifying reflection of the 2016 election. Wait, this came out in 1952? I found myself cheekily thinking, "I'd vote for Allie!" and then feeling foolish when he turned out to be a space alien bent on world domination. I had to smile at the mention in the Wood story of "famed Newark airport" and all of the disasters that befall Elizabeth, NJ, since I lived in Newark in the late '60s and later lived a half-hour from Elizabeth. I did not dislike the Kamen story as much as you did, Peter, since I tend to find time travel paradox stories engaging. Yes, the couple turns out to have had the same ancestor, and it's weird that they wouldn't have realized that before!
Wasn't this just on C-SPAN? ("The People's Choice!") |
Jose: Quite the boon of quality SF we have here in the final pull for 1952! The only one that feels like business as usual is the ho-hum (and ho-huh?) “Given the Heir!,” yet another time travel tale from EC that posits weird sexual couplings. (I swear that I’m going to write an article about this trope one of these days.) “Down to Earth” is similarly front-loaded with dry statistics as this month’s “Mass Meeting!” from WF 16, and like my experience with that one I felt taken with all the anecdotes and hard numbers albeit how relatively boring they were. Wood certainly more than makes up for it with some killer artwork, from the eyeball-snatching splash page with its dramatic lightning and nosediving planes and grinning, moon-sized skulls to the final page that illustrates some genuinely heavy metal squid-headed aliens stamping out in Bioshock gear ready to take on Planet Earth one raygun blast at a time. “Space-Borne!” shows the Al Williamson I love after a handful of rocky assignments, fully giving himself over to the SF mode that is the dream of geekdom: beautiful heroes boasting fierce futuristic fashion, gear play, and, of course, slavering aliens that bring all the best elements of reptile, insect, and even vegetation together. And what can you say after reading “The People’s Choice!” aside from a few squeaks from your unhinged jaw? This is a not only a level but a mode of writing that I don’t believe we’ve seen from the EC bullpen yet, a story that feels truly modern and yet timeless as opposed to all the fantastic and moralistic fables to which we’ve grown accustomed. Operating under a superficially cutesy aesthetic, “The People’s Choice!” disguises the fact that it’s one of the very few stories to possess real teeth, teeth that lay bare our mores and hubris in a way that rings just as true now as it did 65 years ago. Those are all the hallmarks of Great Literature, and don’t let any alien hand puppet ever tell you that comic books can never attain that distinction.
Davis |
"Bunker!" ★★★
Story by Harvey Kurtzman
Art by Ric Estrada
"Knights!" ★★
Story by Harvey Kurtzman
Art by Wally Wood
"Wake!" ★★★
Story by Harvey Kurtzman
Art by Gene Colan
"Fledgeling!" ★★ 1/2
Story by Harvey Kurtzman
Art by Jack Davis
On the Korean War front, a platoon of white American soldiers gets ready to rush the western slope of a hill, while a platoon of black American soldiers gets ready to rush the eastern slope. The hill is guarded by bunkers with Chinese inside, armed with machine guns. The black soldiers take out one "Bunker!" and then another with grenades, allowing the white soldiers to take the hill, but when the white soldiers brag about their achievement and the black soldiers disagree, an officer reminds them that they're all part of the U.S. Army.
"Bunker!" |
When I saw Ric Estrada's name on this story I braced for the worst, because I never liked his work at DC in the '70s on comics like Richard Dragon, Kung-Fu Fighter. I was pleasantly surprised by what I saw, even though the story is a bit heavy-handed and doesn't really go anywhere.
"Knights!" |
Wally Wood could draw just about anything and make it look good, but Harvey Kurtzman is really reaching with this story. By demonstrating that our heroes are no different than we are underneath it all, he tells a little lesson, but it is very small indeed.
"Wake!" |
That's it? Not much of a story but I'll admit it's an intriguing history lesson and one I knew nothing about. What's really exciting here is to see early work by Gene Colan, one of my favorite comic artists, who showed remarkable consistency in the decades that followed.
Two inexperienced pilots in WWI learn the ropes by flying missions back and forth over Europe. Lt. Becker is a "Fledgeling!" who gradually realizes that it's hard to tell friend from enemy in the skies. By the time he sees serious battle action, he's glad to have had plenty of experience.
Harvey must have been focusing his energy on Mad by this time, because this is barely a story at all. Thank goodness Jack Davis illustrates it, because his WWI planes are absolutely gorgeous! I am beginning to think there is nothing he can't do!--Jack
"Fledgeling!" |
Jose: I’ll parrot what those other two GhouLunatics said above regarding the history behind “Wake!” In all the fervor and attention geared towards Pearl Harbor, it seems that accounts of the other little island attacked by Japanese forces have been mostly swept away in the high tide of time. One wonders if Harvey had picked up on this general sentiment as well (December 7 wouldn’t be nationally observed as a Remembrance Day until 1994) and sought to shed some light on a neglected corner of the battle map. It certainly helps that we have some really lovely art by Gene Colan, showing here even in his salad days that he had an immediately distinctive style and a propensity for triggering emotions. The rest of the issue looks skimpy by comparison, with by-the-numbers “Bunker!” unsure if it wants to be a story and “Fledgling!” barely trying. The former gets too late a jump on its “central conflict” (simmering racial tensions in the Army) so that by the time we realize what’s going on the story’s already over. The latter, in addition to lacking any humanizing dialogue whatsoever, starts off by introducing us to two rookie pilots and their sage major and gets us geared up for a buddy-adventure full of growth and learning and maybe a little tragedy before totally dropping both the major and one of the rookies from the narrative and ambling on to a so-so ending. “Knights!” may not be much better, with the exception of Wood’s great art (I almost felt as if I was seeing the medieval age for the first time), but it at least has a clearer sense of its journey and a spunky attitude to help it make go down easier.
THE BEST EC STORIES OF 1952!
JACK
1. Out of the Frying Pan . . . (Crime SuspenStories 8)
2. Poetic Justice! (Haunt of Fear 12)
3. . . . On a Dead Man's Chest! (Haunt of Fear 12)
4. Big 'If' (Frontline Combat 5)
5. Halloween! (Shock SuspenStories 2)
6. A Little Stranger! (Haunt of Fear 14)
7. Split Second! (Shock SuspenStories 4)
8. Death of Some Salesmen! (Haunt of Fear 15)
9. 'Taint the Meat . . . It's the Humanity! (Tales From the Crypt 32)
10. Space-Borne! (Weird Science 16)
JOSE
1. The People’s Choice (Weird Science 16)
2. A Little Stranger (Haunt of Fear 14)
3. Mopping Up (Frontline Combat 7)
4. Wolf Bait (Haunt of Fear 13)
5. Halloween (Shock SuspenStories 2)
6. A Rottin’ Trick (Tales from the Crypt 29)
7. Stumped (Shock SuspenStories 3)
8. A Grim Fairy Tale (Vault of Horror 27)
9. Poetic Justice (Haunt of Fear 12)
10. Corpse on the Imjin (Two-Fisted Tales 25)
PETER
1. The People's Choice (Weird Science 16)
2. Poetic Justice (Haunt of Fear 12)
3. The Patriots (Shock SuspenStories 2)
4. Wolf Bait (Haunt of Fear 13)
5. Home to Stay (Weird Fantasy 13)
6. With All the Trappings (Vault of Horror 24)
7. Bomb Run (Frontline Combat 4)
8. The Guilty (Shock SuspenStories 3)
9. Yellow (Shock SuspenStories 1)
10. Space-Borne! (Weird Science 16)
Coming Next Week in Star Spangled War Stories #102... Are you ready for The Nazi Ghost Wolf?! |
Speaking of the recent election, it's funny see to Allie's team coming out of a SWAMP. But at least no one can accuse THIS candidate of promising the drain the thing.
ReplyDeleteI think an alien takeover might be preferable at this point.
ReplyDelete"Nobody There" is this month's bright spot for the Haunt of Fear, for me at least; the story is for all intents and purposes a redone version of "Death Must Come", the first story from the first issue of The Crypt of Terror, with head swapping being used instead of trying to steal a special organ from recently deceased young people. I've seen it said that Eric's look was specifically meant to resemble Ingels himself. The rest of the issue sadly isn't as good as this story in my eyes, even with the Bradbury adaption.
ReplyDeleteThis month's Weird Science is arguably the most famous cover of the title, and its overall a fairly good issue, even the Kamen story. "The People's Choice" is the clear highlight going away though, and is probably at least in the top 5 of EC's best science fiction stories in my eyes. Clearly you guys agree with how good it is, with 2 of the 3 of you naming it the best story of the year! Sadly this month's Weird Fantasy is kinda "eh" for me, coming after several very strong issues in a row for that title.