“Off Season” was both the final episode of The Alfred Hitchcock Hour to be
broadcast and the final episode to be written by Robert Bloch. It was based on
“Winter Run,” a story by Edward D. Hoch that was first published in the January
1965 issue of Alfred Hitchcock’s Mystery
Magazine.
The story begins as Johnny Kendell, a policeman on duty,
accidentally shoots and kills a wino in a dark alley, thinking that the bottle
the man held was a gun. Filled with remorse and certain he will be suspended
from the police force, Johnny resigns and heads west with Sandy Brown, the
woman he plans to marry.
Johnny and Sandy settle in Wagon Lake, a Midwestern town
that was once a place for summer cottages but is now a fashionable suburb. They
take adjoining rooms in a motel and Johnny gets a job patrolling the lake and
keeping an eye on the cottages, which sit empty in winter. As part of the job,
he is given a .38 revolver to carry.
Sandy is cold to Johnny, thinking it is too soon after the
shooting of the bum for him to resume carrying a gun. She takes a job at a
local supermarket while he makes a trial run with Sheriff Dade. Later, on
patrol by himself, he meets Milt Woodman in a bar and learns that Woodman was
fired recently from the job Johnny now has. As the days wear on, Johnny
encounters Milt again and sees him flirting with Sandy while she is at work.
Johnny and Sandy’s relationship deteriorates as jealousy
begins to overcome him. While having dinner with the sheriff and his wife,
Johnny learns that Milt was fired for taking girls to the cottages while on
duty. Johnny begins to suspect Sandy of dating Milt while Johnny is on patrol
at night. He searches a cottage and finds evidence that Sandy had been there
with Milt.
Late that night, Johnny telephones the motel and learns that
Sandy has gone out. He goes to the cottage and sees Milt’s car outside. He
sneaks in and walks to the bedroom; he calls Woodman’s name and shoots six
times at the figures on the bed. When he lifts the sheet, he sees that
Woodman’s companion was not Sandy, but rather Sheriff Dade’s wife. He knows
that “he had to keep going. Running.”
Indus Arthur as Sandy |
The show opens with shots of neon-lit city streets filmed from a moving car. The mobile camera follows a bum as he breaks the window of a
liquor store and steals a bottle, carefully replacing the full bottle he
pilfers with an empty one he has just drained. This small act gives a measure
of humanity to the man, who is quickly gunned down in an alley by trigger-happy
Johnny.
Johnny, played by John Gavin, looks scared, and we see no
evidence that the bum represents any danger. Unlike the story, where Johnny and
his partner were pursuing a criminal on foot and the shooting is a case of
mistaken identity, in the TV show the police arrive by car and Johnny’s only
excuse for shooting the man is to say that he was trying to get away.
Richard Jaeckel as Milt Woodman |
As the show unfolds, we meet Sandy, played by Indus Arthur,
an attractive blond actress who continues the pattern of having female
characters appear more glamorous than their corresponding descriptions in the
source stories (think of Susan Harrison in The
Gloating Place, for example). Bloch (and presumably director Friedkin)
made sure to set up the show’s climax by also casting actress Dody Heath as
Sheriff Dade’s wife; she bears a strong resemblance to Indus Arthur, and both
look like Anne Francis.
Bloch’s teleplay is much more focused on Johnny’s
relationship with his gun than was Hoch’s story. In the story, when Johnny
takes the job patrolling the summer cottages around Wagon Lake, he is given a
gun to carry as part of the job. It is this gun that he uses to kill Woodman
and Mrs. Dade at the conclusion. In the show, the gun and Johnny’s need for it
present a more complex psychological picture.
Tom Drake as Sheriff Dade |
Johnny also has a personal gun, which he packs in his
suitcase when he and Sandy decide to move west. For Johnny, the gun represents
his masculinity: he is big, strong and handsome, but he needs the gun to be a
man. After he and Sandy settle in Wagon Lake and he begins to doubt his fiance's faithfulness, he looks for the gun in his suitcase and finds it gone. As his
fear and doubt continue to mount, he asks the motel clerk to let him into
Sandy’s room (on TV in 1965, unmarried lovers took adjoining motel rooms—this
time, on the same set as the motel in Psycho),
where he searches her belongings until he finds the gun. Oddly, he leaves it
there, suggesting an inner struggle over whether he can live without it.
John Gavin as Johnny |
The show moves inexorably toward its violent conclusion,
though there are loose ends that never get tied. When Johnny finds what appears
to be evidence that Sandy has been in a cabin with Milt, is it true? Has Sandy
been two-timing him? More important is the question of whether Sheriff Dade
knew that Woodman had been seeing his wife. Dade tells Johnny that he fired
Woodman from the job as patrolman because he used to take “some gal” into one
of the cottages. At other points in the show, he asks Johnny to tell him if
Woodman gives him any trouble. Tom Drake gives an excellent performance as the
sheriff, and it is never clear how much he knows of what is really going on.
The imbalance in acting skill in his scenes with John Gavin is noticeable and
does not do Gavin any favors.
Dody Heath as Mrs. Dade |
Whoever is responsible for this scene, it doesn’t work.
There is no motivation for Woodman to shoot at Johnny, nor is it easy to
understand why Johnny picks up the gun and kills both Woodman and his
companion. For all of the careful work done to establish the resemblance
between Sandy and Mrs. Dade, when her face is revealed it is not clear who she
is, causing the need for the voiceover exclamation that provides positive
identification.
“Winter Run” is a good story, and Bloch’s adaptation of it
is clever, but the show is hampered by a wooden lead performance by John Gavin
and by some questionable decisions by William Friedkin, the director.
Harry Hines as the bum |
William Friedkin was born in 1935 and won the Academy Award
as best director for The French
Connection (1971). He also directed The
Exorcist (1973). “Off Season” is the first fictional work credited to him
as a director; he is also credited with TV documentaries that same year (1965).
More recently, Friedkin has claimed that Hitchcock criticized him for not
wearing a tie while directing “Off Season.”
In addition to appearing in the films mentioned above, John
Gavin (1931- ) was president of the Screen Actors Guild from 1971 to 1973 and
the U.S. Ambassador to Mexico from 1981 to 1986. He appeared in two episodes of
The Alfred Hitchcock Hour.
William O'Connell |
Tom Drake (1918-1982), who played Sheriff Dade, had a role
in Meet Me in St. Louis (1944) as
well as in an episode of Kolchak: The
Night Stalker.
Harry Hines (1889-1967), who plays the bum who is shot by
Johnny, is most recognizable as the man who crawls under the out of control
carousel at the conclusion of Hitchcock’s Strangers
on a Train (1950).
Finally, William O’Connell (1933- ) played the motel clerk.
O’Connell is instantly recognizable, having appeared on Thriller, The Twilight Zone, The Outer Limits, The Odd Couple, Kolchak:
The Night Stalker, Star Trek, and in a few Clint Eastwood movies, including
The Outlaw Josey Wales (1976), Every Which Way But Loose (1978), and Any Which Way You Can (1980).
“Winter Run” was reprinted in Alfred Hitchcock: The Best of Mystery (1980) as well as in The
Night My Friend (1992), a collection
of Hoch’s stories.
“Off Season is not currently available online or on DVD.
Sources:
"Galactic Central." Galactic
Central. N.p., n.d. Web. 13 June 2012. <http://philsp.com/>.
Grams, Martin, and Patrik Wikstrom. The
Alfred Hitchcock Presents Companion. Churchville, MD: OTR Pub., 2001.
Print.
Hoch, Edward D. "Winter
Run." Alfred Hitchcock: The Best of Mystery. New York: Galahad,
1986. 11-20. Print.
IMDb. IMDb.com, n.d. Web. 9 June 2012.
<http://www.imdb.com/>.
McGilligan, Patrick. Alfred
Hitchcock: A Life in Darkness and Light. New York: Regan, 2003. Print.
"Off Season." The Alfred
Hitchcock Hour. NBC. 10 May 1965. Television.
An excellent conclusion to your Bloch series, Jack. Look forward with pleasure to seeing you embark upon your next subject.
ReplyDeleteIf the show's executive producer, longtime Hitchcock associate Norman Lloyd (quoted by John McCarty and Brian Kelleher in their book ALFRED HITCHCOCK PRESENTS), is to be believed, Friedkin also wrongly asserted that it was Hitch who "discovered" him. According to Lloyd, MCA agent Joe Wizan brought Friedkin to the attention of Lloyd, who hired him to direct "Off Season" after seeing his documentary THE PEOPLE VS. PAUL CRUMP.
I'm sorry to see this series end. I read the story by Hoch in my January 1965 AHMM and thought it was ok but nothing special. I did find it hard to believe that the sheriff would keep a deputy that had mistakenly shot a man.
ReplyDeleteThe TV adaptation was ok also but I couldn't tell the difference between the two women. Still, it's fun comparing the short story to the TV version.
Thanks, Matthew. I find it hard to believe that Hitch was hanging around the set when Friedkin directed this episode.
ReplyDeleteAnd thanks, Walker! I'm glad you liked the series.
My plan is to do all 361 episodes but to link them by themes rather than plodding through them chronologically.
Jack, I thought you were joking earlier, a few days ago, when you mentioned doing all the ALFRED HITCHCOCK episodes, so this is great news that you intend to do the entire series.
ReplyDeleteWhen you do the Ray Bradbury story, THE JAR, I hope you cover all three versions. A couple years ago I watched all of them on dvd:
1--It first appeared on the ALFRED HITCHCOCK HOUR in 1964.
2--Second adaptation on ALFRED HITCHCOCK PRESENTS in 1986.
3--Third version adapted for RAY BRADBURY THEATER in 1992.
The hour long version was the best by far but it was very interesting to see the differences in the three shows.
OFF SEASON was a good suspenser for the AHH series to go out on. Starts off with a bang: the totally unjustified killing of an old wino in a back alley by a trigger-happy cop (the bum looked like Cyril Delevanti's twin brother). Three slugs to the chest for a stolen bottle of muscatel. No way could that bottle be mistaken for a gun. I thought John Gavin played his part well. (I also liked Gavin as a clean-cut and respectable young doctor infatuated with slatternly bottled blonde lounge singer Diana Dors in the 1963 AHH episode RUN FOR DOOM.) The way Gavin's jealous cop falls apart in the sock finish was most convincing. I liked OFF SEASON's dreary PSYCHO-like ambience (barren woodlands seen mostly at night, abandoned cottages and semi-vacant rustic motels) – or perhaps director William Friedkin was recycling sets from FINAL PERFORMANCE. OFF SEASON is the perfect title for the final episode of THE ALFRED HITCHCOCK HOUR. Ten years is a good run, but that show should have lasted forever.
ReplyDeleteThanks Harvey! I hope you continue as I explore other episodes, starting with the Shatner twosome!
ReplyDeleteLike Harvey Chartrand, I've just never had a problem with John Gavin as an actor, even though it seems kind of a popular opinion to have.
ReplyDeleteThis episode would be interesting to COLUMBO fans, because the police psychiatrist is played by Fred Draper, one of those character actors who show up in one COLUMBO after another, in big or small parts.
Thanks for reading, Grant! I've started to catch a few Columbos on ME TV and they are still great.
ReplyDeleteI like the episode better than you do, Jack, due to if nothing else the Psycho connections (Gavin, the motel, the rather passive lawman). Psychologically, you're spot on re the issues with John Gavin's character. I wish they'd given him more back story (PTSD? Korean War vet?). Richard Jaeckal never seemed to lose that punk quality, and he was just fine in his role. It's a well made episode rather than a good story, such as there's a story.
ReplyDeleteThey'd have done better to have had a brainstorming session, especially as they must have known that Off Season was going to be the show's final episode, and focus on character development over plot. I can scarcely remember the plot points, but the main character was unforgettable. Limited actor he may have been, when well cast, John Gavin could deliver the goods. Another thing I like about this one: Gavin is almost never likable on screen, even when playing the good guy (!), and this really works in Off Season's favor.
It's not a bad episode, but Gavin is stiff and the ending is a mess.
ReplyDelete