Friday, October 15, 2010

The Complete Guide to Manhunt Part 4

by Peter Enfantino

Continuing an issue by issue examination of the greatest crime digest of all time.
 
Volume 1 Number 3 March 1953

The Sleeper Caper by Richard S. Prather
(7500 words) **
Our man Shell Scott investigates the murder of a jockey in Mexico. Seems some local Mexican mafia boys are fixing horse races and this jockey won’t play their game.

Dead Men Don’t Dream by Evan Hunter
(4500 words) **1/2
Matt Cordell is invited to the funeral of an old friend. At the funeral, he’s approached by a young woman who tells Cordell that his friend was murdered by a shakedown crew and the next victim is her father. That doesn’t sit well with Cordell, who puts his bottle down long enough to bust up the ring pronto.

As usual, Evan Hunter loves to play with the usual conventions of the PI story. In most stories, the private dick would be surrounded by hot and cold running dames. In “Dead Men Don’t Dream,” Cordell hits rock bottom when he rapes a prostitute. No sympathetic characters here.

Stop Him! by Bruno Fischer
(4500 words) *1/2
Roy Kester breaks out of jail to find his wife, who has remarried while Roy does his time. Roy finds and terrorizes the woman and her new husband. Nothing here you haven’t read time and time again. The “shock ending” is telegraphed pages before. Certainly doesn’t clue you into why Bruno Fischer (1908-1992) is such a respected noir writer. Fischer wrote over 20 crime novels, seemingly always tagged with a title torn from the pulps: The Bleeding Scissors (1948), The Restless Hands (1949), House of Flesh (1950), and So Wicked My Love (1954) among them.

Fischer also wrote dozens of stories with equally provocative titles for the pulps: "I’ll Slay You in My Dreams" (Dime Detective), "The Lady Grooms a Corpse" (Black Mask), "Silent as a Shiv" (Detective Tales), and "The Hour of the Rat" (Dime Mystery).

Triple-Cross by Robert Patrick Wilmot
(3500 words) **
A P.I. and his assistant are hired by a hussie to frame her husband. At one point, according to a blurb in the February 1953 issue of Manhunt, The New York Times called Robert Patrick Wilmot “the best in the tough tradition since Raymond Chandler.” Their estimation came before this fairly lackluster tale was published.

The Loaded Tourist by Leslie Charteris
(6000 words) *
Simon Templar aka The Saint is vacationing (or whatever he does) in France when he witnesses a mugging. The victim is a shoe salesman carrying a suspicious suitcase. The case is recovered by The Saint and inside is revealed a selection of rare stamps and jewelry. Why was the shoe salesman carrying such a heavy load? Why were bad guys ready for him? Why was The Saint so popular?

Of course, Charteris’ character became famous after hitting it big on the small screen, making Roger Moore, if not a household name, at least a name on the lips of mystery followers. It was a direct result of Moore’s success as The Saint that led to James Bond after Sean Connery stepped down. I never saw the attraction in either fiction or TV show.

Payoff by Frank Kane
(5000 words) **
Johnny Liddell is contacted by a nightclub owner who’s convinced he’ll be murdered that evening at midnight. He’s absolutely on the money and, right before Liddell’s eyes, the man buys the farm. Losing a client never sits well with Liddell and he sets out to find the bad guy (or in this case, the bad girl). Tough guy Johnny knows how to handle the hardware and the women...
He stood there looking at the beauty of her face, counted off the men whose deaths already lay at her door. He raised his hand, hit her across the cheek with the flat of his palm, knocked her sprawling. She lay there quietly, a thin trickle of blood on her chin, while he phoned the police.
The Tears of Evil by Craig Rice
(3500 words)***
Super lawyer John J. Malone is invited to a shindig at pals George and Kathy Weston’s pad. Before the party can begin to swing, Kathy is found dead, her neck broken. Malone knows that the murderer must be one of the partygoers, but he can’t convince George of that. Craig Rice’s John J. Malone starred in 11 short stories published in Manhunt, and nearly a dozen novels published from 1942 up to Rice’s death in 1957. The novels co-starred The Justuses, Jake and Helene, a married couple who always seem to find trouble and look to Malone to get them unstuck. Malone was also featured in short-lived radio and TV programs. Craig Rice was born Georgiana Ann Randolph, made the cover of Time magazine (January 28, 1946), and wrote scripts for radio and movies. Her final novel, The April Robin Murders, unfinished at the time of her death, was later released as a collaboration with Ed McBain. Many of the Malone short stories can be found in two collections, The Name is Malone (1957) and Murder, Money and Malone (2002).

The Mourning After by Harold Q. Masur
(4000 words) **
Scott Jordan, another lawyer who never seems to spend time in a courtroom, is asked by a jewelry store owner to track down the 1950s version of Winona Ryder. When Jordan confronts the jewel thief, she tells a long and sordid tale of multiple marriages and deceit. Jordan would appear seven more times in Manhunt. According to his Manhunt bio, Masur was a “successful lawyer until he decided he’d rather present case histories in stories than in court.”

Everybody’s Watching Me by Mickey Spillane
(Part 3 of 4) (see Volume 1 Number 1 for details)

Teaser by William Lindsay Gresham
(4000 words) ***
The short life of Gerry Massingham, a woman who has divided herself up into two seperate identities - Warm Gerry and Cold Gerry. Warm Gerry loves to lead the men to the precipice and the Cold Gerry takes over to shatter the men’s dreams. Then the two of them meet Joe McCallister. The shifts between Cold and Warm Gerrys can be annoying, but the vicious payoff is worth the wait.

Prognosis Negative by Floyd Mahannah
(4000 words) *
PI Jim Makin tries to save sexy senorita Revita Rosales from the paws of mobster Ernie Fidako and his main goon Big Sam Cannon. Revita and her husband were smuggled over the border by Fidako, but the deal turned sour and Revita is on the run. Another PI with a gimmick: Makin is dying and wants to make his last days count for something, so he does good deeds.

Against the Middle by Richard Marsten
(1500 words) **1/2
Charlie and Gene are being played for saps by the vivacious Dierdle, who believes in not spreading herself too thin. Just before dueling, the boys come to their senses and dole out some manly justice to the wanton hussie. Richard Marsten was yet another psuedonym for the prolific (let’s get this right) Salvatore Lombino/ Evan Hunter/ Ed McBain/ Hunt Collins/ Richard Marsten/ Curt Cannon/ Ezra Hannon/ John Abbott. (1) Under the Marsten name, McBain wrote the crime novels,Runaway Black (Gold Medal 1954), Murder in the Navy (1955), So Nude, So Dead (Crest 1956), The Spiked Heel (Crest 1957), Vanishing Ladies (Perma 1957), Even the Wicked (Perma 1958), and Big Man (Perma 1959). Also as by Marsten, the two scarce juvenile science fiction novels, Rocket to Luna and Danger Dinosaurs!, both published in 1953 by John Winston. Big Man is on my list of the twenty best crime novels I’ve read.


This issue's "Mugged and Printed" features bios on Mickey Spillane, Leslie Charteris, Craig Rice, Bruno Fischer, Harold Q. Masur, and Robert Patrick Wilmot.

Footnote:
(1) The author was born Salvatore Lombino and actually wrote a handful of science fiction stories under the Lombino byline for such sf digests as Worlds of If, Vortex, and Future. McBain also wrote, under the Hunt Collins pseudonym, the futuristic drug novel Tomorrow and Tomorrow (Pyramid pb, 1961).

Further reading:

Wednesday, October 13, 2010

The Annotated Index to Tales of the Frightened

by Peter Enfantino

Back in 1957, Michael Avallone was writing short-shorts for a syndicated radio program called The Frightened, a show which spotlighted the voice of horror great Boris Karloff. At about the same time, Avallone was approached by book packager extraordinaire Lyle Kenyon Engel to edit a line of digest magazines, one of which was to be based on the Karloff show . Avallone jumped at the chance to put together what, in his words, "a nation of Weird Tales-denied readers had been waiting for." The old venerable warhorse (Weird Tales, not Avallone) had been put out to pasture just three years before and, aside from digests like Fantastic, Beyond (which had bit the dust in 1955), and Fantasy & Science Fiction, there really was a void for anyone seeking horrific yarns. Originally, the zine was to be called Boris Karloff's Tales of the Frightened, but at the last minute, the star got cold feet and the title was released as Tales of the Frightened.

Too bad that TOTF wasn't the zine to catch fire with the public as Avallone did a genuinely good job of selecting fiction for TOTF (especially for the second issue) and I'd love to have seen what would have shown up in a third issue. According to Avallone, poor sales was not what killed TOTF, but rather a strike at the company that distibuted the zine.

#1 sports a nice cover by Rudy Nappi, illustrating "The Curse of Cleopatra", one of two short stories Avallone contributed to the first issue, but for some inexplicable reason (lack of funds?) the second cover is simply a multi-colored list of the stories included. The two-issue run is fairly collectible, but can still be found (when it can be found) in the $8-10 per issue range.

Contents of the two TALES OF THE FRIGHTENED issues. All word counts are approximate based on average word count per column.


Vol. 1 No. 1 Spring 1957

The Curse of Cleopatra-Michael Avallone ** (7550 wds)
William Ramses, president of Firm Fit Foundations bra company, believes that his new seretary is actually Cleopatra. When he goes to a local antiquities dealer to see a ring reputed to have belonged to the queen of the Nile, his suspicions are confirmed.

The Malignant Jewel-Sidney Porcelain * (1750 wds)
Palpo picks up a jewel in an abandoned house in bombed out Nazi Germany. Next thing he knows, it starts growing. Arch Oboler's classic "Chicken Heart" radio story is much better than this.

The Glass Thread-Elsie Milnes *** (4850 wds)
Unusual story about a woman who believes her husband and her sister-in-law are plotting to kill her. Story gets better as the woman's paranoia deepens, eventually leading to madness and Poe quotes.

Incident in a Flying Saucer-James Harvey * (1250 wds)
UFO-movie parody tries to come off funny but ends up dopey.

Cat Woman-Gerald Gordon * (2450 wds)
Russ Gillespie is taken with the girl who comes to his apartment pleading for help. There's a cat down a well and Russ foolishly volunteers to rescue it. Pointless story has no suspense to it (especially considering that the punchline is telecast in the title).

The Stop at Nothing-Mark Danes ** (3500 wds)
Sam Potter receives a strange telegram informing him that his time is up and that he needs to take a midnight train that will stop at nothing. Suspenseful build-up that leads to, well, nothing. An anti-climax with a lame twist and no payoff. This is actually Avallone under the Mark Dane psuedonym.

Alias Napoleon-John Jakes * (3600 wds)
Carnival barker Jack Morris discovers that a Martian is living inside the Napoleon Bonaparte figure in the carnival's wax museum exhibit. Once discovered, the Martian discloses its plan of world conquest to Jack. Real dumb story from an author who would go on to sell millions of books in the 1970s with his bicentennial series.

Faith Killer-Winston Marks *** (2600 wds)
A pompous doctor mocks a faith healer and suffers her wraith. Just as fun and visual as one of Boris Karloff's Thriller TV shows.

Mistaken Identity-Ralph Williams ** (2650 wds)
Connor, on business, just wants to get a good meal but finds that restaurants in a small town close early. Well, except for that "special restaurant" that the hotel bellboy sends him to. The "mistaken identity" of the title closely resembles an old EC horror yarn called "Midnight Mess," wherein a man stumbles onto a restaurant for vampires and is eventually strung up and tapped like a keg.

Old Snagglebuck-William G. Weston ***1/2 (4550 wds)
Little Bobby has a rotten sadistic son-of-a-bitch father whose own father was a necromancer. Now daddy is threatening to unleash a demon on Bobby if he doesn't behave. Well-written thriller works up to a ghoulish finale.

Scorpion-Hal Ellson *1/2 (2750 wds)
Not much suspense is built up in this tale of a Mexican prisoner who's placed in a cell with a scorpion to cure him of his violent habits. Ellson was a mainstay in the crime digests (and usually contributed much better stories than this) back in the 1950s and 60s, and also wrote some best-selling juvenile delinquent novels.

But a Kind of Ghost-John Wyndham * (6650 wds)
Sam Tineways finds a mysterious box embedded in the cliffs of a nearby beach. When he opens the trunk, he discovers the body of the goddess Hiltrude (here again played by Vanna White). One part romance, one part ghost story, all sleep-inducing, "Ghost" is like a 1950s retro-commercial. An intolerable bore from the otherwise respectable author of The Midwich Cuckoos, Day of the Triffids, and Out of the Deeps.

The Gardener-John Christopher ** (2800 wds)
The really weird tale of a wanderer and the strange characters that surround him in his boarding house.

The Unwatched Door-Richie McPherson ** (150 wds)
A suicidal woman dies and her doctor and husband remark that she "escaped through the only door they couldn't watch." Obviously there's not much you can do in 150 words, but the author gives it the old college try anyway.

The Frightened-Michael Avallone * (850 wds)
The sad short story of William Welles and the evil Mr. Sorko. Though credited to Karloff, the "Frightened" stories were actually written by editor Avallone.


The Singular Occurrence at Styles-Alan Henry **** (1800 wds)
Newsome Holder travels to England for the sole purpose of murdering someone, anyone. Holder wants to create a "singular" act, a murder so unique it will shock all who hear of it. After the murder, Holder steps into a bar and brags of his evil deed, only to be rebuffed as an ordinary killer. A very unique read, easily the best presented in Tales of the Frightened, topped off by a funny punch line.



Vol. 1 No. 2 August 1957

The Queen's Bedroom-Ledru Baker, Jr. **1/2 (9400 wds)
Rolly Andrews, a "treasure hunter" in Egypt, buys ancient artifacts for museums. When he meets Dr. David Barkley, an eccentric archaeologist, he knows he's stumbled onto something big. Barkley has discovered the long lost tomb of Queen Hetepheres and wants only to make this one last contribution to science before he dies. Andrews gets a bad case of the greedies and helps the old man to a heart attack, allowing the find to himself. Though the "mummy" story has been reworked a million times, "The Queen's Bedchamber" actually rejects the shambling mummy cliché we keep waiting for. Andrews' metamorphosis from good guy to baddie and then full circle back to "man with a conscience" (he eventually can't cope with his own guilt and decides to "discover" the Queen's tomb and use only the professor's name in the paper) is not usually what we get in stories of this kind. It should also be noted that there are no supernatural devices in the story, only the ominous shadow of the ancients.

The Man Who Thought He Was Poe-Michael Avallone *** (4850 wds)
Good solid follow-up to Robert Bloch's "The Man Who Collected Poe." George LeGrande has become so obsessed with Poe that he has changed his name to Roderick (as in Usher), furnished his home in decaying antiques, reads only dusty tomes, and, to top it all off, has decided to kill his unsympathetic wife, Agnes. Nice twist ending.

The Man Who Stole His Body-Mark Mallory *** (3250 wds)
Bizarre story of a doctor who assists an operation on his own body after he's run over by a truck. Check your brain at the door. Nonsensical title.

Mr. Tiglath-Poul Anderson **1/2 (6550 wds)
Harley buys three genies from the mysterious Mr. Tiglath and plans to rob the safe of his employer.

The Black Spot-William B. Hartley * (4000 wds)
Bizarre mumbo jumbo about a guy who stumbles upon a dead man with a bullet hole in his head (or is it a bullet hole?) and can't get the sight out of his mind. Everywhere around him are people with black spots on their foreheads.

White Legs-Mark Dane (Avallone) * (4200 wds)
Mr. Carter's wife has been prodding him to see a psychiatrist about the strange dreams he's been having. In his dreams, Carter is a voyeur to thousands of beautiful female legs (right, just legs) which turn into giant tree trunks that fall and crush him (no foolin'). Dreadful story that reads like a Reader's Digest article on psychiatry, dream analysis, and boredom.

The Lucky Coffin-C. B. Gilford *** (5100 wds)
Emery Sim can't wait for his kindly rich old Uncle Sim to kick the bucket and leave Emery his vast fortune. But just when it looks like the old timer will finally follow that big exit sign, he buys a coffin (to prepare for his own funeral) that seems to have magical healing powers. Now Emery has to put on his thinking cap and devise a way to murder his suddenly-immortal uncle. Both amusing and chilling, "The Lucky Coffin" has a great twist ending reminiscent of "The Monkey's Paw."
Wise Beyond His Years-Claude Ferrari **** (1400 wds)
Creepy short-short about an old man who kidnaps a baby and uses it in a witchcraft ceremony. Very nasty little gem.

Span Trap-Sidney Porcelain * (3050 wds)
Mona Wilson tires of her worthless life and overdoses on sleeping pills. Once dead, she awakens on another plane or in another dimension (don't ask me which) or something, where she becomes a worker on a factory assembly line. Nonsensical bit of tripe becomes more unreadable with each page turned. This attempt at abstraction very much reminded me of the stories of David Bunch, which appeared in FANTASTIC in the early 1960s. Bunch would write absurd non-stories about nothing at all, and FANTASTIC readers would duke it out in the letters page debating whether Bunch was an artistic genius or a crafty charlatan (take a guess which side I stand on).

Duty-Tristan Roberts *** (1300 wds)
Good post-apocalyptic short-short about the last man and woman on Earth and their search for the power packs that will help them rebuild their city.

Dead End-Mack Reynolds * (400 wds)
Doctor searches for immortality through vampirism. Real short and real dumb, just like one of those vignettes they used to do on Rod Serling's Night Gallery. Mack Reynolds (who also wrote as Mack Mallory and Dallas Ross) was an incredibly prolific writer for the sf digests of the 50s and 60s. Though virtually unknown by sf fandom, Reynolds created several series (including The Cold War, Homer Crawford, Johnny Mauser, and Ronnie Bronston) for F&SF, Analog, and Future. He also collaborated with the great Fredric Brown on a handful of stories.

The Window-A. Bertram Chandler *** (6100 wds)
Lost on the streets of London, a man seeks shelter from the rain and happens to look into the window of a dark lodge. There he sees a human sacrifice performed by a group of robed cultists. When he flees to the police to tell his story, he is informed that the lodge is haunted by the ghosts of the Satanists. Actually it turns out that the window is a two-way porthole to the past. This revelation leads to a neat twist and an apocalyptic outcome.
Miss Bard's Lover-Elizabeth Luna *1/2 (5850 wds)
Mousy Miss Bard has a new tenant at her boarding house. A very strange one, she finds. One who has an unnatural obsession with Miss Bard's long flowing hair. Turns out that the new boarder is a serial killer who strangles women with their own long silky tresses. Miss Bard, by now in love with the nut, gives in to his wicked desires and dies in a fit of lustful agony/ecstasy. Oh brother! I swear I read something along these lines in True Confessions magazine. The psycho sexual finale would make great fodder for David Cronenberg.

A Tale From "The Frightened"-Boris Karloff * (850 wds)
Sylvester Dodge is being followed by a man with a deathly white face and a mysterious umbrella. I vividly remember reading this as an impressionable pre-teen (it was reprinted in Avallone's Tales of the Frightened paperback) and having the crap scared out of me. It's too bad I spoiled my own fond memories of the story by re-reading it thirty years later.

As an aside, someone has very nicely uploaded a batch of Karloff's readings of "The Frightened" on the web.

Tuesday, October 12, 2010

This 'n' That

Now and then, John and I will pop in with a "miscellaneous" column. These will feature quick reviews of books or zines we've picked up recently (and might even include the random film or TV box) but can't get to fit into the context of another column.

Breathless Homicidal Slime Mutants: The Art of the Paperback
by Steven Brower
(Universe, 2010)
304 pages, Illustrated, color


I'm not quite sure what I expected when this was first announced on Amazon. Well, no, hang on. Let me back up. I'm positively sure what I was expecting: "A visually dynamic homage to the paperback," which is exactly what the publisher promised. With a title like this one, I'm expecting some downright vile and sleazy cover repros. All right, maybe some classic Gold Medal crime? How about those gritty Lion cover paintings? Lancer and Ballantine did mind-bending work in the late 1960s. We could cover that! Well, no, what you get is a lot of hum-drum like the images above and, aside from a bit of skeletal history, very little text. A paucity of words never killed a project like this (witness the superior Sin-A-Rama (Feral House, 2005)) as long as you have visuals to fall back on. To be fair, not all the illos are as grating and lifeless as the three I've chosen, but the rest are fairly common. I've seen most of them in dollar boxes at paperback conventions. So then, who is the target audience for this book? The casual browser? I don't see that. His ideal consumer is typing these words right now and, given 300 glossy color pages, I'm convinced I could do a hell of a lot better than Steven Brower, Conceptual Design teacher.

###

Years ago, in the first issue of bare bones, I wrote a very large article in very small font about the classic kitsch digest Super Science Fiction, a guilty pleasure for all who will admit to it. If you don't like its cargo of elephantine worms and wolves with four heads, then you're a stick in the mud and shouldn't be reading this blog. Two bits of news about SSF: First, next year Haffner Press will be publishing Tales from Super Science Fiction, a 400+ page collection of 14 stories from the digest. You can find info on ordering here.

Second, that original article I wrote all those years ago is up on the web decorated with full color SSF covers (as opposed to the dingy black and white we were forced to use in BB). Phil Stephensen-Payne has done a remarkable job (as usual) putting this together.

As far as The Haffner Press collection goes, I've seen the contents (as have you if you visited their website). As someone who's read all the stories, I have to say that the book looks to be a good representation of SSF. There are some unknown gems here ("Every Day is Christmas" by James E. Gunn and "First Man in a Satellite" by Charles W. Runyon) and some that should remain unknown ("Song of the Axe" by Don Berry and "Broomstick Ride" by the usually dependable Robert Bloch). I'm very much looking forward to the book as it's a nice way of getting the largely-forgotten SSF back in the public eye and Haffner should be commended for taking a chance on something so obscure. I'd love to see a publisher take a similar chance on The Best of Web Detective Stories.

###

Fantagraphics used to publish The Comics Journal, a bi-monthly devoted to all aspects of the comic world. For a time, during the late 70s and early 80s, TCJ was a must-read. You literally never knew what would pop up in an issue. Groundbreaking (and litigious) interviews, lengthy reviews, and a general "screw you" attitude permeated its pages. I've got a run from its first proper issue (before #37 it was variously an adzine and a tabloid) up to its 100th (when the fun started to leak out). Now Fantagraphics focuses its energy on publishing nice hardcovers and trade paperbacks. One of them, Four Color Fear: Forgotten Horror Comics of the 1950s has just come out and it's a winner. 320 pages of pre-code horror and not a single EC story among the batch. That's not a complaint, by the way. I think we need more books spotlighting "The Other Guys" (as Lawrence Watt-Evans called them in his exhaustive study of pre-code horror in The Scream Factory #19) and it looks as though we're in the midst of a mini-wave of "vintage horror comics reprinting." Next month sees the publication of The Horror, The Horror (Abrams), a similar exploration of pre-code, written by Jim Trombetta; Dick Briefer's Frankenstein (IDW); and the book I'm most looking forward to, Mike Howlett's The Wild World of Eerie Publications (Feral House), a bloody examination of Myron Fass' empire of pre-code reprints. There's a vast wealth of untapped gold in them thar comics (there is, to be sure, lots of guano packed in those pages as well) as Four Color Fear shows. $20 on Amazon for 300+ pages of color horror comics. Any idea what these things would cost if you could find them? Try trolling eBay a bit. Here's to a second volume. John and I will be listing our five favorite Four Color Fears stories in a This 'n' That column in the near future.

###

Four Color Fear reminded me of another great horror comics project from the early 1990s: Tales Too Terrible to Tell, editor George Suarez's loving tribute to pre-code that ran for 11 issues from 1989-1993. I wrote extensively about TTTTT , appropriately enough, in the "worst horror" issue of TSF (#10) and wanted to include a bit of that here:

TTTTT reprints some of the worst slop to come out in panels, and shows us some of the most colorful covers to grace a newsstand. A couple of the more memorable tales to grace the first six issues include:

"Clumsy" (from TTTTT #1) about an oafish, yet ingenious scientist who discovers how to freeze bodies and bring them back to life years later. When his money-hungry wife finds out about this, she talks the dope into icing her and collecting insurance money. But this guy is so clumsy, he shatters her body into a thousand icecubes and has to reconstruct it. Unfortunately, so eparts had already started to melt, so...

The title of "Horror of Mixed Torsos" (TTTTT #2) speaks for itself, but doesn't begin to divulge the inanity of the story. Hunchbacked mortician's assistant Garth Hunt has the hots for lovely Faith Wales. Luckily, Faith dies an early death, and Garth gets to spend some intimate time with her good-looking corpse, until the family shows up to move the body overseas. Garth starts chopping folks down right and left, chucking their halves into big barrels. Unfortunately for Garth, he mixes halves up, and as any good horror fan knows, when you mix parts from different bodies, they will rise from the dead! The last panel shows Garth getting an axe in the head:
"As oblivion strikes you in an agony of pain, the last thing you see from the enshrouding darkness is those figures, dividing up into four torsos again and - collapsing on the floor - unmixed at last!"
The comics are a hoot. Even, or maybe especially, the really deranged, badly written strips. But the prize here is the research Suarez shares with us on these long-dead comics companies. We get in-depth looks at the publishers, checklists of publishers and titles, individual issue and story synopsis, and panel and cover repros. Suarez titled this research project "Terrology." Unfortunately, the series ended at #11 and Suarez's promised "Terrology" book was never published. I recently touched bases with him and he let me know that his "real job," running a series of comic stores in the Boston area (New England Comics) takes up most of his time but he hopes to finish his project when he retires.

You can still order all 11 issues of TTTTT here, and I recommend that you do!

Monday, October 11, 2010

Weird Tales: So What's It All About?

by Peter Enfantino

There’s been a lot of talk lately over on our sister blog, A Thriller a day, about the importance of Weird Tales in regards to the Boris Karloff series Thriller. That’s just a small portion of the importance “the unique magazine” had on the genre during its’ initial reign from 1923 through 1954. But how to experience the charm, magic and horror that this pulp emitted while not going broke purchasing rotting chunks of dust? There is a way and I shall tell you. There have been hundreds of collections that reprinted one or two WT stories, but we’ll concentrate on those multiple author collections that are built predominately (or altogether) from Weird Tales. The easiest way to find these books is to search for them on eBay or abebooks.com. There are several sharks in the water who will charge what they want to charge, not what the book is worth (perfect example, the Marvin Kaye collection below can be found on abe for $3.64 up to $99.99), so be careful.

Weird Tales (Pyramid pb, 1964) edited by Leo Margulies, with a nice Virgil Finlay cover. Margulies was a very good collector in several different genres. This was one of my first exposures to Weird Tales so it has quite a bit of sentimental favor going for it. Having said that, it’s still a solid collection of not-anthologized-to-death tales.

What’s it got? 8 stories. Standouts include “The Man Who Returned” by Edmond Hamilton, “The Drifting Snow” by August Derleth (winter vampires!), “Pigeons From Hell” by Robert E. Howard, and my personal favorite, Fritz Leiber’s “Spider Mansion,” tailor made for the gothic eccentricities of Thriller, and yet, sadly, not dramatized. Reprinted by Jove in 1979 with the famous “batgirl” cover by Margaret Brundage.

Worlds of Weird (Pyramid pb, 1965) edited by Leo Margulies, with another Finlay cover. A quickie sequel (issued just seven months later), but still stuffed with quality fiction.

What’s it got? “Roads” by Seabury Quinn (I recall reading somewhere that this was voted one of the most popular stories to appear in WT), “Mother of Toads” by Clark Ashton Smith, and Robert E. Howard’s “Valley of the Worm.” This was reissued by Jove in 1978 with the same “batgirl” Brudage cover. Only difference was that this cover was in a green shade whereas the above book was issued in a red shade.

There were also two earlier paperbacks in Leo Margulies WT reprint series, neither of which had Weird Tales in its title. Regardless, they were made up of WT stories. The first was The Unexpected (Pyramid, 1961).

What’s it got? “The Valley was Still” by Manly Wade Wellman, “The Strange Island of Doctor Nork” by Robert Bloch and Margaret St. Clair’s “Mrs. Hawk” (filmed for Thriller) and 8 more.

The second was The Ghoul Keepers (Pyramid, 1961) with 9 more stories.

What’s it got? “The Sorcerer’s Apprentice” by Robert Bloch (infamously filmed for Alfred Hitchcock), “Spawn of Dagon” by Henry Kuttner, and Ray Bradbury’s “The Lake.”

Weird Tales (Neville Spearman HC, 1976) edited by Peter Haining. 23 stories, most from the 1930s and 40s, with a cover by Harold S. DeLay (from the October 1939 issue). This was reprinted in paperback by Sphere (London) and in America in 1990 by Carroll & Graf (with a variant cover).

What’s it got? “Ooze” by Margaret St. Clair, “The Beasts of Barsac” by Bloch, and "The Shuttered House" by Derleth. This was a unique book in that Haining designed it as a facsimile of an actual issue of WT (though no single issue of WT contained 23 stories) including The Eyrie (letters page) and house ads.

Weird Legacies (Star pb, 1977) edited by Mike Ashley. A British paperback with a foreword by Robert Bloch.

What’s it got? 9 stories including the essential “He That Hath Wings” by Edmond Hamilton, and several collaborations (among them Lovecraft/Derleth and Bloch/Kuttner).

Weird Tales (Nelson, Doubleday hardcover, 1988) edited by Marvin Kaye with a sharp Richard Kriegler jacket painting. Reprinted in 1996 by Barnes and Noble.

What’s it got? 44 stories, the majority of which appeared in the first run of WT, including August Derleth’s “Mr. George,” and stories by Ray Bradbury, Robert Bloch, Robert E. Howard, H.G. Wells, Seabury Quinn, Fredric Brown, H. P. Lovecraft, and Richard Matheson.

Weird Tales - 32 Unearthed Terrors (Bonanza HC, 1988) edited by Robert Weinberg, Stefan R. Dziemianowicz, and Martin H. Greenberg (WDG), with a reprinting of the WT cover by Hannes Bok. This was the book that started the pulp reprint craze of the late 80s, early 90s. The WDG team edited several outstanding volumes of pulp stories from different genres. I believe this was their most popular.

What’s It Got? Nothing but Weird. The infamous “The Loved Dead’ by C.M. Eddy, Seabury Quinn’s Jules de Grandin in “Satan’s Stepson,” and “Come and Go Mad” by Fredric Brown. All the major (and many minor) WT authors are well represented.

Weird Vampire Tales (Gramercy HC, 1992) edited by WDG, with a reprinting of the WT cover.

What’s it got? 30 vampire stories, 17 gathered from WT, including “Howard’s “The Horror from the Mound,” and Carl Jacobi’s classic “Revelations in Black.” In addition, you get stories from Astounding, Strange Tales, Terror Tales, Horror Stories, and several other pulp zines.

100 Wild Little Weird Tales (Barnes & Noble HC, 1994) edited by WDG.

What’s it got? Just what the title tells you, 100 short short stories from WT’s first run. The fact that these are very short stories (most around 3 pages) means you’re going to get a lot of material new to reprinting. “Hypnos” by Lovecraft, “The Extra Passenger” by Derleth (filmed for Thriller), “Dark Rosaleen” by Seabury Quinn, etc.

The Best of Weird Tales: 1923 (Wildside Press tpb, 1997) edited by Marvin Kaye and John Gregory Betancourt, with a Stephen Fabian cover. This was supposed to be the first in a series but I don’t believe a second volume was ever published. Shame. This could have become the definitive collection of WT.

What’s it got? 13 stories collected from the magazine’s first year, including H.P. Lovecraft’s “Dagon.”

Weird Tales: Seven Decades of Terror (Barnes and Noble HC, 1997) 28 stories from the various incarnations of the magazine, 16 from the initial run, with a cover by Bob Eggleton (not taken from a Weird Tales cover but rather from a novel by Ray Garton!).

What’s it got? The weakest of all the WT collections, this one doesn’t offer much you can’t get elsewhere. There’s a little seen Derleth called “Pacific 421” and the oft-anthologized “Lucy Comes to Stay” by Bloch but, for my money, there’s too much of the new stuff here. To be fair, it is subtitled “Seven Decades of Terror” not “Four…”

In addition to 100 Wild Little Weird Tales, Weinberg, Dziemanowicz, and Greenberg edited a series of 13 more books (from 1993-1999), published by Barnes & Noble in hardback collecting 100 short short stories per volume. Many of these stories first saw a newsstand as a Weird Tale (Of course, none of these compares to the monster WDG known as Horrors! 365 Scary Stories). I think these are your best bet for good short horror fiction but I’m not going to take up column space listing them. Perhaps another column in the near future? I think so.

Sunday, October 10, 2010

Richard Matheson - The Original Stories: The Mystery Digests

In the first two parts of this ongoing series, I looked at Richard Matheson's short fiction appearances in Playboy and the Sci-Fi Pulps. For this installment, I turn my attention to his work that appeared in mystery digests.

My goal is to include basic bibliographic information, cover shots and interior illustrations where possible, and a listing of the subsequent Matheson collections in which the stories appeared. I plan to interject other bits of trivia along the way, and if there's anything in particular you'd like to see, please let me know by posting a comment. -John Scoleri

The Original Stories - Part 3: The Mystery Digests

While not as prevalent as his dozens of appearances in sci-fi digests (which will be covered across several future installments) Matheson sold a number of short stories to the leading mystery markets of the 50s, including Alfred Hitchcock's Mystery Magazine and Ellery Queen's Mystery Magazine.

"The Children of Noah"
Alfred Hitchcock's Mystery Magazine
March 1957, Vol. 2 No. 3

Subsequent appearances: Collected Stories HC, Shock!, Nightmare at 20,000 Feet: Horror Stories, Collected Stories TP v2

Editorial description: While your corpulent correspondent is among the first to admit he would be willing to shed a few pounds, he is shudderingly averse to losing them as did Mr. Ketchum in the sleeping town of Zachry, pop. 67!


Illustration by Richards
Notes: In his interview with Stanley Wiater for Collected Stories TP v2, Matheson states that he believes he adapted the story for Dan Curtis, although it was never produced. This issue of AHMM was the last before a format change to magazine, or bedsheet, size, and not only included a story by Matheson's close friend Robert Bloch, it also contained a story by an even closer acquaintance, Logan Swanson.


"I'll Make it Look Good" as by Logan Swanson
Alfred Hitchcock's Mystery Magazine
March 1957, Vol. 2 No. 3

Subsequent appearances (under Matheson's original title "A Visit to Santa Claus"): Collected Stories HC, Shock Waves, Collected Stories TP v2

Editorial description: Do you realize that, give or take a few, we have but 275 shopping days to Christmas? That happy event virtually upon us, permit me to introduce a father taking his son to see "Santa Claus"—without, I might add, the slightest good will toward men, or his spouse.
Illustration by Tom O'Sullivan (?)
Notes: Those familiar with Matheson's pseudonym Logan Swanson are aware that it normally came into play in the event the author was not happy with the rewriting (The Last Man on Earth) or editorial tinkering (the original Playboy Press paperback release of Earthbound) with his work. In this case, it was done to mask the fact that there were two stories by the same author in the magazine.


"The Faces"
Ed McBain's Mystery Book
No. 1, 1960

Subsequent appearances (as "Day of Reckoning): Collected Stories HC, Shock II (as "Graveyard Shift"), Shock Waves, Collected Stories TP v3

Editorial Comment: Richard Matheson ("The Faces"), foremost exponent of the modern tale of terror, leads off the Graveyard Shift department.

Notes: This is speculation on my part, but I believe Dell incorrectly retitled the story "Graveyard Shift" when it was reprinted in Shock II based on the department title in the magazine.

Illustration Uncredited
I assume Matheson had indicated that "The Faces" was not his title, as it is referenced as the original title in the copyright information in that volume. But clearly "Graveyard Shift" was not his title, either. Why else would the story reappear two volumes later, in Shock Waves (with no reference to either prior title in the copyright notice), under the only title it has been reprinted under since? This premiere issue of Ed McBain's Mystery Book also contains an Ed McBain 87th Precinct novel and a Shell Scott story by Richard Prather.


"What Was In The Box?"
Ellery Queen's Mystery Magazine
April 1959, Vol. 33 No. 4

Subsequent appearances (as "The Big Surprise"): Collected Stories HC, Shock II, Collected Stories TP v3






Editorial Comment:

Notes: This is a unique entry into Matheson's body of work. Originally created as a Reader's Contest story, in which readers were invited to send in their suggested conclusion to the short story for a chance of winning $25. Unfortunately, it appears that the readers of EQMM were never told who won the contest, nor was the winning entry published in any of the 1959 issues (special thanks to our resident EQMM expert Peter Enfantino, who went ahead and checked every issue between the April '59 contest and Matheson's second appearance in the magazine ten years later). The story, with Matheson's own ending, has since been collected as "The Big Surprise." He later adapted it for Rod Serling's Night Gallery.


"Needle in the Heart"
Ellery Queen's Mystery Magazine
October 1969, Vol. 53 No. 8

Subsequent appearances (as "Therese"): Collected Stories HC, Shock Waves, Collected Stories TP v3

Editorial Comment: Do you believe in voodoo? No, we suppose you don't. But "there are more things in heaven and earth." dear reader, "than are dreamt of in your philosophy"...

Notes: Once again the editors replaced the title to this short-short story which has only been reprinted under Matheson's title of "Therese." William F. Nolan adapted the tale as one of the often forgotten segments of Dan Curtis' Trilogy of Terror.


"Till Death Do Us Part"
Ellery Queen's Mystery Magazine
September 1970, Vol. 56 No. 3

Subsequent appearances: Collected Stories HC, Collected Stories TP v3

Editorial Comment: Smiling fiercely, Merle began to jab pins...

Notes: The short-short story became a stock in trade for Matheson at EQMM.
It's an area that his son Richard Christian Matheson would subsequently master.

Uncredited spot illustration


"Leo Rising"
Ellery Queen's Mystery Magazine
May 1972, Vol. 59 No. 5

Subsequent appearances: Matheson Uncollected Volume 2

Editorial Comment: An ultimate array of squares, semisquares, and adverse conjunctions...

Notes: Until recently, this remained one of the few Matheson tales left uncollected, an oversight finally corrected with the release of Matheson Uncollected: Volume 2 from Gauntlet. While Matheson Uncollected: Volume 1 was made up primarily of stories Gauntlet had released as chapbooks offered as incentive to purchase Matheson limited editions directly, this volume does a better job at filling in the holes of Matheson's previously published pieces that had gone uncollected. Thanks are due to fellow Matheson fan and scholar, Paul Stuve, who provided most of these rarities to Gauntlet. Paul was also a key contributor to The Richard Matheson Companion, co-edited by Matheson expert Matthew Bradley.

Spot illustration credited to HM

"CU: Mannix"
Ellery Queen's Mystery Magazine
April 1991, Vol. 97 No. 5

Subsequent appearances: Matheson Uncollected Volume 2

Editorial Comment: An unusual crime for EQMM, and all the more fascinating for that—entrapment, not so pure and simple...

Notes: After almost 20 years, Matheson re-appears in EQMM. Despite being described as a short-short story, this one clocks in at 11 pages!


"The Frigid Flame"
Justice
October 1955, Vol. 1 No. 3

Subsequent appearances: American Pulp, edited by Ed Gorman, Bill Pronzini, and Martin H. Greenberg.

Editorial Comment: Dave loved Peggy—despite the ugly rumor that she had murdered her husband.





Illustration uncredited
Notes: This is an abridged version of Matheson's first novel, Someone is Bleeding (and not the last you'll be reading about here). I was pleased to provide the copy of Justice that was used for American Pulp.



"Now Die In It"
Mystery Tales
December 1958, Vol. 1 No. 1

Subsequent appearances: Matheson Uncollected Volume 2

Editorial Comment: The voice on the phone called him "Tyler" and said he was about to die. Was it a terrifying case of mistaken identity? Or was a coldblooded, revengeful hood really on his way to end Don martin's life? A respectable suburban husband and father faces his trial by terror in Richard Matheson's latest nerve-tingling suspense yarn.

Illustration uncredited
Notes: In his new book Richard Matheson On Screen, Matthew Bradley points out that "Now Die In It" was subsequently expanded into Matheson's novel Ride the Nightmare.


"Crickets"
Shock
May 1960, Vol. 1 No. 1

Subsequent appearances: Collected Stories HC, Shock II, Nightmare at 20,000 Feet: Horror Stories, Collected Stories TP v3

Editorial Comment: MEMO FROM LULUBELL: Now, here's the kind of story I really like. It proves that everything turns out for the worst in this worst of all possible worlds.

Notes: The star-studded lineup in this issue also includes numerous reprints from Ray Bradbury ("The Crowd"), Theodore Sturgeon ("Bianca's Hands"), Henry Kuttner ("Graveyard Rats"), and W.W. Jacobs ("The Monkey's Paw").

Uncredited spot illustration


There's more to come! Stay tuned for future installments of Richard Matheson - The Original Stories!